Word: crawfords
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...cynical view of many a New Dealer was last week expressed by Kenneth G. Crawford, who wrote in the Nation: "Is the Roosevelt Administration neutral? Certainly not. Is there any chance of the U. S. to stay out of another world war? Practically none. Will the Rooseveit program of liberal reform go on in the event of a general war? It will not. . . . Would the outbreak of a war mean a third term for President Roosevelt? Probably...
...captured the U. S. Singles championship. Britons have-H. L. Doherty in 1903, Fred Perry in 1933-34-36. So have Frenchmen-René Lacoste in 1926-27, Henri Cochet in 1928. Nearest an Australian ever came to the U. S. title was in 1933, when steady, sturdy Jack Crawford (French, English and Australian champion that year) was nosed out of a tennis grand slam in the final...
Last week, as the 58th U. S. Singles tournament warmed up at New York's Forest Hills, it looked as if the Australians (John Bromwich, Adrian Quist, Jack Crawford, Harry Hopman) who had come to the U. S. this summer might well take back to the Antipodes not only the Davis Cup which they won last fortnight and the U. S. Doubles title (won by Quist & Bromwich last month), but-at long last-the U. S. Singles championship...
...shadow of one man. The man is Stephen Haines. The most important women are his wife Mary (Norma Shearer), her cattish friend Sylvia Fowler (Rosalind Russell), who makes sure that Mary knows about Stephen's carrying on with a perfume salesgirl, and the girl, Crystal Allen (Joan Crawford). Mary's consequent trip to Reno introduces her to many another specimen of her sex, notably a fat U. S. countess (Mary Boland) with a crush on a cowboy named Buck, and Sylvia Fowler's own marital Nemesis, gay but tenacious Show-girl Miriam Aarons (Paulette Goddard). The drama...
...rumored to be at each others throats while making Each Dawn I Die, and similar apocryphal stories were circulated about Bette Davis and Miriam Hopkins during production of The Old Maid. Prima Donna Shearer, for purely professional reasons, saw to it that she was billed above rival Prima Donna Crawford, stipulated that her name should be advertised in type half as large as the title and twice as large as that of Lesser Luminary Russell. But if this precaution stirred any bad blood, fat, high-voiced Director George Cukor, an understanding specialist in the ways of feminine stars, allowed none...