Word: crawfords
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
Arthur W. Trott -- Miss Dorothy Crawford, Wollaston
Hollywood woke up one morning last week to find its self-satisfied air full of dead cats. The slingers: Manhattan's Independent Theatre Owners Association. Inc. Their targets: Greta Garbo. Marlene Dietrich. Mae West. Joan Crawford, Kay Francis. Katharine Hepburn. Edward Arnold. Fred Astaire. The reason: These highly-publicized great ones were "poison at the box office." "WAKE UP." screamed the theatre owners to Hollywood's producers. "Practically all of the major studios are burdened with stars-whose public appeal is negligible-receiving tremendous salaries . . . Garbo, for instance . . . does not help theatre owners...
...Actress Hepburn last week terminated the RKO Radio contract that had brought her from $75,000 to $100,000 a picture and was considering five better offers "They say I'm a has-been," scoffed she. "If I weren't laughing so hard, I might cry. . . ." Joan Crawford had just signed a new five-year contract with Metro-Goldwyn-Mayer at a figure reported to be $1,500,000. "Boxoffice poison?" chirruped Actress Crawford...
Happily enough, the co-feature, "Mannequin," is also good. Joan Crawford, cast to type as a hard-working tenement girl, and Spencer Tracy, a human, two-fisted boss of the waterfront, set out to prove the highly dubious proposition that a girl, madly in love with one man, can marry another for money and then proceed to forges the first in favor of the second. One has the impression that the authors changed their minds several times in the course of writing the story; but it does have the great virtue of novelty, and, in addition, provides opportunity...
Early last fall came a parting of the ways. Amicably clashing over policy, Crawford and Strasberg withdrew from the Group, Clurman remained. Cheryl Crawford set up as her own producer, last week made her bow with All the Living. Strasberg became a free lance. Both Crawford and Strasberg represent the vanguard of the U. S. theatre; both have a background of foreign experimentalism. Strasberg, originally influenced by Actor-Director Constantine Stanislavsky of the famed Moscow Art Theatre, favors a naturalistic technique, insists that actors should "do all the small things, not worry about the big things...