Word: creation
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Dates: during 1940-1949
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Sussanne Ehrentheil '48 and Alice Gilbert '49 told the eight-school meeting that they already have a group of 46 working for NSA projects here. On the basis of this they advocated the superimposing of NSA activities on the student government structure through the creation of another vice-presidency...
...Negotiations. One of the knottiest ecclesiastical problems to be ironed out: the Anglican belief that the ministry must be in the line of "apostolic succession," as against the Congregationalist concept of the "ministry of all believers." This problem was eventually solved by the creation of a 30-year period, during which the Anglicans will recognize the existing ministries, of the other denominations (and agree to such un-Anglican nomenclature as moderator, presbyter and elder), with the understanding that no minister ordained before the union can be shifted to any church without the consent of the congregation. When the 30 years...
...make sure that this is done, he suggested the creation of a "United States Corporation for European Reconstruction." It would be run by a board of directors composed of five "completely nonpartisan" experts, appointed by the President with the advice and consent of the Senate...
Unquestionably a high mark for the remainder of the season to aim at, Dr. Koussevitzky's performance of Hindemith's moving symphony, "Mathis der Maler," was a unique marriage of a composer's conception and an orchestra's performance. Hindemith's re-creation of Matthias' paintings from the Isenheim Alter, the Angelic Concert," the "Entombment," and the "Temptation of St. Anthony," in sound brings out all the unearthly power of the artist's work and a hint of his personal distractions and struggles. In Dr. Koussevitzky's hands, the intense score glowed and shuddered almost hypnotically until the final great...
...contemporary governmental officials. (Rivera explained that any resemblances were coincidental: "It's only because living people frequently run to type.") But few could fail to be charmed by the portrait of the artist as a messy little fat boy, standing smack in the center of his own creation. Young Rivera kept a dead snake and a bullfrog in his pockets, carried an eagle-headed umbrella and held hands with a grownup skeleton lady, dressed to kill. Just before he signed the mural, the aging artist's finishing touch was to broaden the boy's grin...