Word: creation
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Dates: during 1970-1979
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...modern artists have rebelled against the use of noble images--religious scenes, Greek myths--as the artistic ideal. They substitute for it a new "pure art" that "derives its effects from elements peculiar to itself," not from the imitation of identifiable objects. This anti-objective style allows for the creation of a "universal art"--one that cuts across time and culture and makes art intelligible to all. Abstraction protects the artist's freedom, which Schapiro calls an "indispensible condition," The loss of the decorum and restraint necessary to traditional art permits the artist to explore "new domains and intensities...
Like its counterparts abroad, the South African scholarship program aims at the creation of a Western-educated and oriented African and Colored elite which can act as a "third force" between die-hard Afrikaaners and the forces of national liberation led by the African National Congress and the Pan-Africanist Congress. The U.S. government and business interests have wanted for a long time to reform apartheid just enough to stabilize it and maintain the enormous superprofits extracted from the black South African workforce. Harvard's plan plays right into this neo-colonialist strategy, by supplying partners with black forces...
Movie music should ideally act as an 'emotional constipator or cathartic" to enhance the creation and release of dramatic tension, John Green '28, former director of music for Metro-Goldwyn-Mayer (MGM), last night told an audience of about 50 people...
...produce 21 profiles; the editors stress the absence of a predetermined formula. Appropriately, most of the writers chose to place much emphasis on the extra-musical lives of the musicians. A few well-chosen biographical details can often shed more light on the highly personal art of jazz creation than pages of technical dissection. For instance, A.B. Spellman's Black Music: Four Lives, a classic in the field of jazz literature, was conceived largely as a work of sociology. Unfortunately, The Jazz Makers is not so varied, informative, or readable as its alluring format. While it is impossible to capture...
...chief recorder in Shikasta is Johor, a virtually immortal Canopean who is in on the creation of Rohanda and who returns in the present (the Century of Destruction) to salvage what he can from the calamity. The novel is also pieced together out of passages from Canopean history books and archives, official communiqués, sociological reports, diaries and letters of assorted Shikastans. These documents enable Lessing to imply a vast skeleton of time out of a limited number of bones; she can also shift viewpoints dramatically from the near infinite to the minute. Oddly, the novel's unity...