Word: creator
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Dates: during 1960-1969
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...ultimately in the Mirko sculptures there is the creator. Every man has his own set of permanent beliefs or temporary feelings which go into the associations and expressions...
Helga's creator is an energetic German film distributor named Hanns Eckelcamp, who thought that "the development of human life" might make a jolly subject for a feature film. He slapped together Helga on a budget of $200,000 and watched in astonishment as the film grossed $3,500,000 in Germany alone. Inspired by Helga's triumph, other producers quickly jumped into the enlightenment-movie business. Among the titles that have been doing boffo business in Germany are Miracle of Love, The Perfect Marriage, and You, an account of masturbation and its tension-easing benefits narrated...
...night were all in one way or another unsatisfactory to the Company. They had not, as Miss Hahn expressed it, taken on a life of their own; they had not told her what they wanted to say. The idea that a work of art is somehow master of its creator and can dictate to him the terms of its existence is a difficult one and one the Company did not really come to grips with in its explanations. What is boiled down to that evening was nothing more (and nothing less) than a feeling that the work was not right...
...difficult to animate, to enable an attempt at the fluid control of the Disney method. At the same time, a compromise had to be reached since the stark backgrounds and limited movement of UPA or Hanna-Barbera (Yogi Bear) lack power and potential for complete realization of its creator's imaginative ideas. A strange animal resulted: stylistic form is almost non-existent, the movement of the cartoon figures is executed competently but no better, editing is largely unoriginal, and Edelmann's drawings--the frame content--consequently become everything...
...chilling or soul-devouring. Playwrights themselves propagate dead plays, since most of them cannot fulfill the single most demanding requisite of vital drama: "A playwright is required by the very nature of drama to enter into the spirit of opposing characters. He is not a judge; he is a creator. The job of shifting oneself totally from one character to another-a principle on which all of Shakespeare and all of Chekhov is built -is a superhuman task at any time." What makes the playwright's task more difficult today is the death of certain theatrical conventions: "The lukewarm...