Word: creator
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...neither prove God nor disprove him, whether he be Einstein's Old One, the architect of the cosmos, or Michelangelo's stern anthropomorphic censor of our morals. Many of us, including clerics of all faiths, think it unlikely that an all-wise creator would choose for himself the male form of a primate so close genetically to a chimpanzee that some taxonomists would include the pair in the same genus...
Models of creation -- the how but never the why -- abound among cosmologists, the most widely accepted being the Big Bang, which in no way forbids the existence of a creator who might have touched it off. One recent hypothesis holds that our universe was born as a microscopic ripple in a perfect vacuum, not so very new an idea, since Thomas Aquinas proposed something similar seven centuries ago. Although the good saint was never excommunicated for such heretical views, he was under constant fire from zealots as a sort of premature secular humanist...
Dreamgirls (1981). Michael Bennett, creator of A Chorus Line, shaped this propulsive story of black entertainers fighting for integrity while entering the mainstream. It suggested that key civil rights gains came when white youths accepted black music as "theirs." Jennifer Holliday gave the musical performance of the decade as a gutsy gospel-blues shouter...
Zuckerman Bound by Philip Roth (1985). Roth's trilogy of novels about the American Jewish writer Nathan Zuckerman seems even more impressive whole than it did in its serial installments. Zuckerman is not Roth, exactly, but neither is he entirely unlike his creator, trapped by work and celebrity. The interplay between these fictional and real beings is unfailingly rich, comic and engaging...
...easy to grasp in performance. The action begins with the detective (James Naughton), a rumpled knight of the tenderloin who lives by a code of honor in a world of thugs and well-heeled thieves. Moments later the story shifts to the office (coyly labeled a "cell") where his creator labors as a hireling of a movie tycoon more crass, smug and fascinatingly awful than any envisioned by Nathanael West. As the tycoon (Rene Auberjonois) lays down the law (no social criticism, no politics, no hint of kinky sex), the moneystruck young writer (Gregg Edelman) peevishly retypes his scenes...