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...Creator and writer of the influential 1990's space television show Babylon 5 and long-time writer for Marvel Comics, J. Michael Straczynski scored some impressive co-workers for his first feature film screenplay. Changeling, directed by Clint Eastwood, stars Angelina Jolie and John Malkovich. Straczynski spoke to TIME about writing for the big screen and why he's not ashamed that his house looks like a 14-year old's crash...

Author: /time Magazine | Title: Changeling Writer J. Michael Straczynski | 10/23/2008 | See Source »

...control, the alien seed he spawned. Any creative person, indeed anyone who's launched some grand project (renovating a home, planting a garden, starting a business), must be familiar with this dread: that the creation has taken on its own life, that it will overwhelm and consume its creator, that the work will never be finished. Caden couldn't bring his magnificent idea to fruition. Kaufman...

Author: /time Magazine | Title: Synecdoche: Charlie Kaufman's Dangerous Mind | 10/23/2008 | See Source »

...head over heels" for the would-be-hot-if-she-weren't-wearing-enormous-glasses librarian. But like any good 1980s music video, it doesn't make any sense-a monkey, a man in a gas mask, and a rabbi all make absurdist cameos. So when the parody's creator, Dustin McLean, references them directly-"Now the rabbi's walking right behind me"-it's funny. At least, it's supposed to be funny. It is supposed to be funny, right? I don't know, it just seems too much like a Weird Al video...

Author: /time Magazine | Title: Tears for Fears: The Literal Remix | 10/22/2008 | See Source »

...would almost automatically assume that the Douglas County, Neb., District Court does not hold jurisdiction over the omnipotent creator of the universe. State senator Ernie Chambers, however, took it upon himself to challenge that assumption last year, when he filed a lawsuit against...

Author: By Bilal A. Siddiqui | Title: Supreme Impiety | 10/22/2008 | See Source »

...that seeks to please himself first. The Bootleg Series documents songs not only as they progress toward the final studio version (as is the case on “Tell Tale Signs”) but as they shift to fit the transformed psychology of their creator (as is the case on the sublime “Royal Albert Hall” recording). By releasing these tracks, not as bonus cuts to some cheapskate reissue of “Time Out of Mind” or “Modern Times,” but as their own document, Dylan seems...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Bob Dylan | 10/17/2008 | See Source »

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