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Died. Munro Leaf, 71, creator of Ferdinand the Bull in a 1936 children's story that has since been translated into 16 languages and sold 2.5 million copies; of cancer; in Garrett Park, Md. Leaf taught high school before writing and illustrating dozens of children's books. Ferdinand, the peace-loving bull who would rather sniff flowers than fight, later starred in a Walt Disney movie, and was used to sell merchandise from cereal to diamond pins...

Author: /time Magazine | Title: Milestones, Jan. 3, 1977 | 1/3/1977 | See Source »

...imply that a collection of colored smears and slobberings and pieces of a pack-rat nest is art and its creator Robert Rauschenberg is an artist is akin to saying that what Jack the Ripper did was surgery and he was a surgeon...

Author: /time Magazine | Title: Letters, Dec. 20, 1976 | 12/20/1976 | See Source »

Neither Bionic Woman Lindsay Wagner nor Wonder Woman Lynda Carter has, obviously, the mature appeal of an Angie Dickinson. But Los Angeles-born Wagner, who did a couple of low-budget features (notably Paper Chase), has potential. The show's creator, Ken Johnson, says he modeled her character after an ideal date he had in mind, someone "truthful, witty and eminently attractive," and Wagner seems to fill the bill. Says Wagner: "I'm trying like hell not to be Wonder Woman." Carter, 24, who is trying like hell to put that character across, is a former swimming champion...

Author: /time Magazine | Title: TV's Super Women | 11/22/1976 | See Source »

...first-rate research institution, a place for scholars," Byker said, describing the problem, "and creative functions are not particularly at home." He added that Harvard is not a "congenial place" for the arts because "the scholar's goal is to hold things static and study them, while the creator's goal is to confound the scholar...

Author: By Steven Schorr, | Title: The New Yorker Model: Writing to Please Harvard | 11/8/1976 | See Source »

...material...My little exploration is the whole zone of being that has always been set aside by artists as something unusable--as something by definition incompatible with art." Although this assessment sounds overly self-deprecatory, it points out the reduction in the scope and power of creator and character--the self--which is central to all Beckett's work. It is not that Beckett lacks the linguistic talents of his friend Joyce, but that these talents are no longer tools for manipulating the established material of literature. Rather they compel the author to write; instead of being marshaled, they command...

Author: By Tom Keffner, | Title: Beckett: Reclaiming the Unusable | 11/3/1976 | See Source »

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