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Classical Christian theology holds that a transcendent Creator called life into being out of nothingness by an act of divine will, and governs the universe from outside creation-all-powerful, timeless and unchangeable. But Whitehead argued that a dynamic world could not have a static Creator who was exempt from the maturation experienced by finite beings. He therefore proposed that God, the source of all unactualized possibilities, was constantly creating within the universe. Thus God, like all other beings, is in some aspects incomplete and is man's companion on the creative advance toward perfection...

Author: /time Magazine | Title: Theology: God Is Changing | 5/7/1965 | See Source »

Most Protestant theologians take a cautious view of process thinking. Existentialist John Macquarrie of Manhattan's Union Theological Seminary argues that while the idea of an incomplete God on the way toward perfection is intellectually attractive-it helps explain why an all-powerful Creator has not yet triumphed over evil, for example-it also seems spiritually unsatisfying...

Author: /time Magazine | Title: Theology: God Is Changing | 5/7/1965 | See Source »

...Travers, creator of the world's beloved, most-feared magical governor will spend next fall as a visitor in residence at the 'Cliffe, Barbara M. Sonn, Dean of East House, announced yesterday...

Author: By Maxine S. Paisner, | Title: It' Supercalifragilisticexpialidocious! | 4/15/1965 | See Source »

During all the years of solemnity, one strip provided an antidote of sophisticated wit, and all the modern humor strips are in its debt. George Herriman's Krazy Kat, which ran from 1910 until its creator's death in 1944, rarely strayed from the established routine: Krazy, a thwarted idealist like Charlie Brown, loves the mouse Ignatz, but Ignatz is so incensed at this unnatural love from a cat that he hurls a brick at her; whereupon he is carted off to jail by the guardian of law and order, Offissa Pupp. Herriman injected so much poetry into...

Author: /time Magazine | Title: Comics: Good Grief | 4/9/1965 | See Source »

...their services, the syndicates demand a high price: 50% of the strip's sales and usually a copyright, so that if the creator quits or dies, another cartoonist can be hired to carry on the work. On top of that, the syndicates exercise a censorship that is breathtaking. When Dale Messick included a Negro girl among a group of teenagers in Brenda Starr, the syndicate rubbed her out for fear of offending Southern readers. When Milt Caniff used the Air Force slang word abort (to cancel) in Steve Canyon, the syndicate figured it came too close to abortion...

Author: /time Magazine | Title: Comics: Good Grief | 4/9/1965 | See Source »

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