Word: creator
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...designed and assembled, have a passion for cleanliness. They have to. As weapons components are made smaller and still smaller, the presence of a single particle of dust can make larger and still larger trouble. The strictest housekeeper in all Sandia is Texas-born Physicist Willis J. Whitfield, creator of the Whitfield Ultra-Clean Room. "I thought about dust particles," he says with a slight drawl. "Where are these rascals generated? Where do they go?" Once he answered his own questions Physicist Whitfield decided that conventional industrial clean rooms are wrong in principle...
Bullets & Combs. Oliver Treyz (rhymes with preys), a math major (Hamilton College), a statistical control officer in the Army, a network and ad-agency research man, was admittedly no creator...
...Murray Burns all you out there in Crimsonland might ask. He is a television scriptwriter, creator of Chuckles Chipmunk, who quit his job because he found himself talking kideroonie talk. Murray, who will not be forced into the patterns of artificial idiocy, is also the guardian of Nick Burns, a precocious bastard of twelve. And most important, Murray is Jason Robards...
Herb Gardner, who lauds the virtues of undisciplined living and childlike, unprejudiced perceptivity, is a whimsical creator himself. Originator of the nebbish, Gardner has one television play, one novel, and one (the program tells all) outstanding short story to his credit. This play mustn't be a lone effort. It is a wonderful, wonderful cartoon that shows great feeling for both exaggeration and understatement. Satire without ostentatious poignancy, daffiness that doesn't amount to incoherence, Gardner's play is that miracle, a comedy at which people laugh...
...bronze sculptures that moved into Manhattan's Knoedler Gallery last week bore many of the familiar hallmarks of their famed creator-knobbly heads, voluptuously ballooning figures, forms locked within other forms like embryos inside wombs or heads inside helmets. But these similarities aside, Henry Moore's latest sculptures show him much changed since his last Manhattan show in 1954. His surfaces are rougher, his figures more ungainly, and almost every trace of his former elegance appears to have vanished. This may or may not be progress, but it is still a logical progression. Moore is such a consistent...