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SIVA, the Creator-Destroyer of Hinduism's trinity, once stood on a demon and with one of his four arms began to shake a little hand drum. To the beat of this rhythm Siva moved his body, and with his movement the world took shape; he danced on and on until creation was completed...

Author: /time Magazine | Title: Religion: DANCING FOR THE GODS | 1/27/1958 | See Source »

Died. Frank Henry Willard, 64, Chicago Tribune-New York News Syndicate cartoonist, creator of derby-hatted urchin Kayo, somnolent Lord Plushbottom and other cronies of banjo-eyed Moon Mullins in the long-running (since 1924) comic strip; of a stroke; in Los Angeles...

Author: /time Magazine | Title: Milestones, Jan. 20, 1958 | 1/20/1958 | See Source »

Ordet (Palladium; Kingsley International) is that rarest of delights for the fastidious eye, a film by Carl Dreyer. Dreyer, 68, is a Dane who has made his living as a newsman and his reputation as a cinematic creator on the strength of a half-dozen pictures that few people have seen. Only two have been generally noticed in the U.S. The Passion of Joan of Arc (1928) was considered by most critics "an experimental film," but it has since served serious moviemakers as an invaluable primer on the uses of the closeup. Day of Wrath (1948) was a tenebrous expatiation...

Author: /time Magazine | Title: Cinema: The New Pictures, Dec. 16, 1957 | 12/16/1957 | See Source »

...pinpointed song-and-dance-man skill of the vaudeville era. He knows every last little hop, skip and jump, and nudge, bop and scram; he is master of the soft shoe, the dead pan, the faraway smile. As Rumple, a newspaper-cartoon character in danger of extinction because his creator has lost the power to portray him, he fights for survival with tactics that happily are more Foy than...

Author: /time Magazine | Title: The Theater: New Musical in Manhattan, Nov. 18, 1957 | 11/18/1957 | See Source »

...story has its pathos; but as the picture tells it, the tale is all too often merely pathetic. The fault lies chiefly with Director Federico Fellini. the brilliant creator of I Vitelloni, who has revived the bathetic excesses of La Strada without its noble brutalities. As for Fellini's wife, Actress Masina, she gives, almost gesture for Chaplinish gesture, the performance that made her famous as the idiot girl in La Strada. It's a case of the right part in the wrong picture...

Author: /time Magazine | Title: Cinema: In the Meantime | 11/18/1957 | See Source »

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