Word: creators
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Dates: during 1970-1979
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Casanova is Fellini's latest statement on a theme he is constantly exploring: the problem of the creator, the man who tries to restructure experience to make it art. Casanova of Fellini's imagining, who has tried to make his life's pursuit the transforming of the ultimate natural experience into art, who wants to transform the phrase "to make love" into an exact description, is a figure of the artist. Casanova has given up his humanity for art; lovemaking is something he must control and design. As a result, he succeeds in giving pleasure to others...
...turmoil was New York magazine. Murdoch's peppery new editor, James Brady, 48, fought his way through snow and ice on Monday morning to find his office scarcely less chilling. There to greet him was a sheaf of resignations. Departing were not only the magazine's creator and editor, Clay Felker, but also Design Director Milton Glaser, Managing Editor Byron Dobell (who agreed to stay through a brief transition) and 20 other editorial hands, including such notables as Tom Wolfe, Financial Writer George ("Adam Smith") Goodman, Washington Reporter Richard Reeves, Ms. Editor Gloria Steinem, Press Critic Edwin Diamond...
Died. Ruth G. Wakefield, 73, creator of the tollhouse chocolate-chip cookie; of cancer; in Plymouth, Mass. In 1930 Wakefield and her husband opened an inn in an old tollhouse on the Boston-to-New Bedford road. One day she decided to add chocolate bits cut from a semisweet bar to liven up her mother's cookie recipe. The creation was an instant success. During World War II, millions of tollhouse cookies were shipped to servicemen overseas...
Clay Felker, the creator and curator of this ineffably rewarding world, screams a lot. He insults people. He falls asleep at dinner parties. His wispy, graying locks go uncombed, his custom-made Savile Row suits look as if they had been bought at a manufacturer's fire sale-they do not disguise his paunch. He is variously described by associates and acquaintances as autocratic, devious, dishonest, rapacious, egotistical, power mad, paranoid, a bully and a boor. Almost in the same breath, the same people call Felker a genius. "He's always been tough, restless and driven," says George...
...show's final moments. As Williams walks offstage into darkness chanting the famous "And Death Shall Have No Dominion," the lights come up on his storyteller's chair, now holding only a set of battered manuscripts. The device and its meaning--the immortality of art after its creator's death--are predictable enough; their sudden effectiveness here is a measure, perhaps the very best, of the extent of Williams's achievement...