Word: creators
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Dates: during 2000-2009
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...source of the email was Dunster House resident Matthew M. Di Pasquale ’08, the creator of Diamond—Harvard’s newest magazine. If published, Diamond will join campus sex magazine H Bomb in the business of publishing photographs of nude undergraduates. Di Pasquale believes that Diamond will stand out by being “more Hollywood”—à la Maxim or Playboy. His goal of classiness, unfortunately, seems to have been lost in the way he chose to solicit models...
...exhibition of Harvard’s sizeable African art collection. So long as there are no advocates for African art within the museum system, there will be no voice to speak for the artistic merits of exhibiting of African art. Elizabeth S. Nowak ’10, the creator of the petition for the exhibition of African art, says that displaying African art at Harvard would be a powerful testament to the validity of African art. “A lot of statements the university makes resonate throughout the world,” Nowak says...
...Force is definitely with Travis Ho. Like millions of computer-science students before him, the 19-year-old Singaporean's lifelong fantasy has been to work for Lucasfilm, the empire launched 30 years ago by George Lucas, the creator of Star Wars. Ho, however, did not have to journey to a galaxy far, far away; Lucasfilm came looking...
...bomb.) One of the cultural aftershocks of the bombing of Hiroshima was the awakening of Godzilla and the Japanese monster movie as a way of reckoning with the nightmare of U.S. atomic weapons. "Stories in which the destruction of society occurs are explorations of social fears," says J.J. Abrams, creator of Felicity, Alias and Lost and producer of Cloverfield. "When Godzilla came out, the idea of doing a movie about the destruction of a city because of a radioactive man-made thing must have had a similar feeling. On the one hand, it's a silly man in a rubber...
...Noel Coward-sophisticate compared to what happens when the monster strikes. A horror/sf/disaster movie loses points every time you're forced to ask yourself, "Why are they doing something so stupid?", and the answer is, "Because they're in a horror/sf/disaster movie." And if you thought that Abrams - the creator of Felicity, Alias and Lost, and the writer-director of the spiffy if underperforming Mission: Impossible III - would produce a horror movie that was not just high-concept but high-IQ - you misjudge his faithfulness to a genre requiring that, in extremis, people act in a manner that...