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What is to be done? Aaron J. Greenspan ’05, creator of CriticalMass, an online alternative to the CUE guide that effectively channelled student discontent about a professor to the administration, suggests that specific student concerns will never be as effective as group concerns. “Because Harvard is a corporation,” he says in an e-mail, “it has access to lawyers, accountants, and risk minimization officers. If a cursory cost-benefit analysis yields the result that it will be worth the University’s effort to respond...

Author: By William L. Adams, Brian Feinstein, Adam P. Schneider, A. HAVEN Thompson, and Scoop A. Wasserstein, CRIMSON STAFF WRITERS | Title: The Cult of Yale | 11/20/2003 | See Source »

...creator of the short-lived but popular Harvard version of the Am I Hot or Not? website said he will not have to leave school after being called before the Administrative Board yesterday afternoon...

Author: By Katharine A. Kaplan, CRIMSON STAFF WRITER | Title: Facemash Creator Survives Ad Board | 11/19/2003 | See Source »

...role is primarily one of defensive leader and offensive creator,” Bell said. “With two amazing forwards like Hana and Reka—the guards have to be able to deliver the ball in the paint...

Author: By J. PATRICK Coyne, CONTRIBUTING WRITER | Title: Solid Back Court Promises Depth | 11/19/2003 | See Source »

...Junked almost entirely is the old book, which focused on a middle-class kid from the provinces who leaves home to join the glitzy, decadent London club scene. The rewrite, by Charles Busch (creator of off-Broadway drag spectacles like Vampire Lesbians of Sodom), eliminates this somewhat clich?d character and plunges us more directly into the club underworld, and the rise and drug-addled fall of its most famous denizen, Boy George (Euan Morton). The book is better now, but still too unfocused, with too many characters vying for stage time, among them the campy, cross-dressing narrator, Philip Sallon...

Author: /time Magazine | Title: Rosie?s Bum Rap: In Defense of Taboo | 11/18/2003 | See Source »

...characters on TV have been more dependably moral than the White House wonks of NBC's The West Wing (Wednesdays, 9 p.m. E.T.). That was the vision of Aaron Sorkin, the series' creator and producer, who wrote or heavily rewrote nearly every episode for four seasons. When Sorkin left last spring--taking the show's rapid-fire, talking-while-walking voice with him--many thought that Wing, already sinking in the ratings, was doomed. But the ratings have firmed, and in some ways the show is better. Producer John Wells, now heading up the writers' team, kept the core...

Author: /time Magazine | Title: Television: Extreme Makeovers | 11/10/2003 | See Source »

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