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...Eluard told an audience in Bucharest in 1948. "But you have discovered the sunshine of happiness." At the time, an estimated 1 million Romanians were imprisoned in dire conditions or engaged in often deadly slave labor, digging out the Danube-Black Sea Canal. But Judt also gives the intellectuals credit when they did get it right. He considers Dec. 28, 1973, to be "a symbolic moment" when "post-war Europe's self-understanding turned." That was the date when Aleksandr Solzhenitsyn's exposé of communist repression, The Gulag Archipelago, was published. Once that shocking indictment of the Soviet system...

Author: /time Magazine | Title: Continental Shifts | 12/4/2005 | See Source »

...Michael Kramer, a former fashion-industry executive, was the victim of a hacker who stole his identity and went on a shopping spree with his credit card info. It was one of his first encounters with the wilds of the Internet. Kramer, 43, whose background is in marketing, saw opportunity in the crime. "The initial idea was to set up voice authentication to avoid that kind of thing again," he says...

Author: /time Magazine | Title: The Voice Of Internet Security | 12/4/2005 | See Source »

...that's by Pulitzer Prize-winner Marsha Norman) or the score (by Brenda Russell, Allie Willis and Stephen Bray, all Broadway newcomers); she didn't direct (Gary Griffin did). Nor is she the producer who nourished the show through hears of false starts and rewrites; Scott Sanders deserves that credit. Oprah's job has been to promote persuasively for a musical she wants the world to love...

Author: /time Magazine | Title: The Color Oprah | 12/2/2005 | See Source »

...supposed to be background to the actors—you’re not supposed to notice us,” says orchestra manager, Joanna N. Huey ’06. “It’s not a time when you’re playing to get credit for what you’re playing, it’s about enjoying the show.”Technical director Blase E. Ur ’08, who is also the newly elected President of the HRDC, fiddles with the special effects that make each scene, paradoxically, both more magical...

Author: By April B. Wang, CONTRIBUTING WRITER | Title: A Night at the Operetta | 12/2/2005 | See Source »

...most likely source of the video’s mediocrity is a creative power struggle between Plympton and West. When Kanye debuted the video on BET’s taste-making music video program, “106 & Park,” he claimed sole director’s credit, making only a passing reference to Plympton’s contribution. Plympton’s obvious and trite interpretation of West’s song indicates that he was probably kept on a very short creative leash.Rumor has it that music video auteur Michel Gondry has also directed a version...

Author: By Elisabeth J. Bloomberg, Bernard L. Parham, and Abe J. Riesman, CRIMSON STAFF WRITERSS | Title: Pop Screen | 12/1/2005 | See Source »

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