Word: credite
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Dates: during 1950-1959
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Marguerite Tarrant portrays the freelove femme of this item with considerable charm and not much evil, which lends frivolous class to the proceedings. It's a big part played effectively, and she is not the hardest to look at of actresses. James M. Swan deserves credit, too, for a vaguely sensitive approach to his role of a playwright who takes away Miss Tarrant, loses her, then gats her back along with somebody else, Richard Dozier, who had Miss Tarrant, lost her to Swan, took her away again, then got her back along with somebody else, Swan, etc. Dozier, who seems...
Ernest Gruening, 71, U.S. Senator. A crusty, longtime conservationist and Alaska territorial governor for 13 years after his appointment by Franklin Roosevelt. Gruening had heavy labor support, campaigned tirelessly, spoke clearly on all questions, personally claimed credit for statehood, the DEW line and the fight against tuberculosis among Alaska's natives. It took all that to beat out young (39) Republican Mike Stepovich, who quit the territorial governorship to run. Stepovich, father of eight children and last-appointed Alaska governor proved to be only a so-so campaigner, got lost in the political infighting, lost the election...
...CREDIT CARD REVOLT is growing among restaurateurs, who protest clubs' 7% fees. Seattle eating places are adding 5% to bills charged on credit cards. Idea has been adopted by Wisconsin's restaurant association; similar moves are afoot in San Francisco, Manhattan, Baltimore...
...test concentrators on their sophomore tutorial work at the close of sophomore year is basically a wise implementation of the CEP proposals. These called for some sort of essay or general examination which would help qualify students for participation in the honors program with its junior tutorial for credit...
...uncertain terms when Shimizu attempts to deal with the figure. In Wind Child, Rope Jumper and Red Mantle, the walls come tumbling down. Here are problems which cannot be sidestepped. Rope Jumper epitomizes the situation. Against a sensitively painted background Shimizu has superimposed a figure which does him no credit at all. It is coy, purposeless and arbitrary...