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...group calling itself Friends United for Chinese Knicknacks and Against Detention of Ancient Manchurian Stuff took credit for stealing the gong—which, in the past, had been sounded when non-Adams House residents attempted to eat in the conveniently located dining hall...

Author: By George T. Fournier, CONTRIBUTING WRITER | Title: The Gong is Still Gone | 4/14/2010 | See Source »

...until 2007, there existed no standard method of screening the language skills of foreign TFs. Departments used their own methods of preparing section leaders, ranging from courses that count for credit to a simple day-long workshop at the Bok Center, according to Assistant Dean of the College Logan S. McCarty...

Author: By Noah S. Rayman, CRIMSON STAFF WRITER | Title: Graduate Student Teaching Fellows Lost in Translation | 4/14/2010 | See Source »

Additionally, other Harvard schools, such as the Harvard John F. Kennedy School of Government, have much more extensive programming for J-Term. HKS offers nine three-week January courses for credit, which count for spring-term course credit for all purposes...

Author: By The Crimson Staff | Title: J-Week | 4/14/2010 | See Source »

Even when he praises other artists, the compliments seem oddly back-handed. In a chapter about Great American Plays, he lauds many authors, but gives special credit to Thornton Wilder for “Our Town.” Mamet has some intriguing thoughts about how the play utilizes language with verisimilitude to American dialect. The problem is that he insists that “the vulgate, the actual language of the people can be found only in the cultural anathemas known as popular entertainment.” This argument is tenuously developed to a frustrating conclusion...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: David Mamet’s Overstated ‘Theatre’ | 4/13/2010 | See Source »

...wrote a draft my sophomore year; it wasn’t for course credit or anything. I just really felt like I needed to write it, and I wanted to write a full-length musical. They say to write what you know, so I took everything that I knew and threw it into the pot and called it “In the Heights,” and then over the course of the eight-year process getting “Heights” to Broadway, I learned how to write. It’s a lot of discarded songs...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: SPOTLIGHT: Lin-Manuel Miranda | 4/13/2010 | See Source »

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