Word: crediters
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Dates: during 1960-1969
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Welch was willing to credit Goldwater with "plenty of lion-like courage," and to observe that "much of the criticism of the Senator overlooks or the critics fail to understand, the incredible array of hidden forces that were organized against him." Goldwater's disaster came, in part, because of his "committee-like" campaign operation, "which may even have included some enemies posing as friends," said Welch, and because he ran "an old-fashioned political campaign which was as unrealistic in our present circumstances as using horse-drawn watercarts to put out a forest fire." If Goldwater had campaigned along...
CRIMSON editorial writers now, as then, worship no idols, cower before no cows. Is there a need for a scathing attack on compulsory sophomore tutorial for credit in the geography department? The CRIMSON will write...
...Theatre Company of Boston gives Him a superb production under the direction of David Wheeler. Burris deBenning and Moira Wylie play the talkative roles of Him and Me with graceful assurance. The rest of the cast excels in comic parts of every description, doing full credit to Cumming's vertiginous imagination, "talking very beautifully" (as Me tells Him) in the poet's acrobatic language. Paul Benedict, a ubiquitous master of trades, is especially amusing as a drunkard, soap box orator, prude, interloper, private eye, gentleman, freak show barker, and Mussolini...
...cutting the salaried force by 10% to 15%. Some critical ex-executives complain that under Lesch, Colgate's middle managers are overworked and insecure, and that the company's profits have yet to top the 1959 record of $25 million. At the same time, Lesch gets credit from the trade for having brought out so many new products with catchy names and clever promotions-two of the essentials for success in the soap business. In any case, Lesch's decision to put promotion ahead of profits for his early years seems to be paying...
...painting's exploration of emotionally exotic themes was paralleled in poetry and theater. To demonstrate that the flamboyant creativity of the Mannerist era is more important and more visual fun than it has usually been given credit for, Author Bousquet has brought together a wide range of art and literature. The examples are felicitous, the commentary urbane, and the format itself is wittily evocative of the Mannerist manner...