Word: crediters
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Dates: during 1960-1969
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...local philharmonic orchestra. Offended by a guest appearance of some juvenile accordionists, O'Brian took the orchestra so severely to task that the incident became a civic cause celebre. When the orchestra changed hands shortly thereafter, O'Brian, with obvious satisfaction, claimed part of the credit...
...million). Already the world's largest restaurant chain (1,706 luncheonettes), it is also planning to serve liquor in some of its "Harvest House" restaurants outside the stores. Grant's has auto service stations and prescription pharmacies, and both Grant and Woolworth now offer 24-month credit plans...
...York's prestigious Economic Club, which has heard such speakers as John Kennedy and Nikita Khrushchev, Davenport threw down the gauntlet in a speech that, together with his book, is a testimony to what he calls the value of "traditional wisdom." He not only deplores the easy credit, deficit spending and incipient inflation that he sees around him but criticizes many measures that have been welcomed into the mainstream of economic thinking. He opposes the closed shop, considers minimum-wage laws "illadvised" and partly responsible for unemployment, argues that the 15% tax on foreign securities bought by Americans...
...this aims to get patients in earlier and out faster. If it works, New York may take credit for a major step toward putting admission to mental hospitals on virtually the same medical basis as admission to other hospitals-while safeguarding civil liberties for citizens who must be denied some freedom in order to handle full freedom later...
What Playwright Schisgal has done is to turn the theater of the absurd upside down. Absurdist plays customarily use laughter to evoke despair. Schisgal uses the histrionic pretentions of despair to provoke laughter. Immeasurable credit is due Director Mike Nichols for keeping the pace on the wing and inventing cleverly apposite bits of business. One dry jump and three wet ones are taken off the bridge, all with acrobatic finesse. The performances of Wallach, Jackson, and Arkin are models of comic acting, perfect in control and timing, flawless in witty inflection of the lines...