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Word: credos (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...Rome last week, good Roman Catholics crossed themselves, averted their eyes from posters which blossomed on walls here & there in the city. The posters carried a blasphemous "Prayer of the Perfect Italian Fascist," which clumsily parodied the ancient supplications of Christians: Credo I believe in England, zone of tyranny, creator of sanctions and Masonic gods, and in Eden, her son, our only axman, -who was conceived by virtue of Masonic and anti-Fas cist spirits, was born out of the League of Nations, will suffer always under the spirit of Mussolini, went down to Hell with his father. . . . I believe...

Author: /time Magazine | Title: Religion: Black-out For the Vatican? | 6/17/1940 | See Source »

...think some of the arguments used in your Credo justifying the isolationist stand deserve to be answered from the opposite viewpoint...

Author: NO WRITER ATTRIBUTED | Title: A Plea for Preparedness | 5/27/1940 | See Source »

...Penrose, who came from Good Time Buck Devlin's Eighth Ward, was that handsome that doors opened of them selves when he passed a lady's house (Mr. Devlin's own words-from Walter Daven port's Power and Glory). Penrose also had a simple credo: "The people will stand anything from a politician who refrains from annoying them." Boss Penrose, one of whose shoes was laced with a corset-string the day he met Matt Quay, despised personal graft as cheap pocket-picking, lived mostly for the pleasures of the flesh,* and for the perpetuation...

Author: /time Magazine | Title: PENNSYLVANIA: Mr. Pew at Valley Forge | 5/6/1940 | See Source »

Miss Perkins' rendering of the opening sentence of the Nicene Creed: Credo in unum Deum, Patrem I believe in one God. the Father omnipotentem, factorem caeli et terrae, all mighty, maker of heaven and earth, -visibilium omnium et invisibilium. of visible things all and of invisible...

Author: /time Magazine | Title: Religion: Latin for Ca+holics | 4/22/1940 | See Source »

...architects (who appropriately had the ground floor) merely tiled the walls with framed photographs of colonial, baroque, gothic and romanesque structures-all built in the U. S. since 1900. Upstairs, modernists ran hog-wild. Their slick, streamlined exhibit had models of their buildings and shrewd camera shots, featured a credo that made traditionalists sputter. Sample sputter-causer: "The heritage of our generation is the accumulated rubbish of a century of fake fronts...

Author: /time Magazine | Title: Art: Versus | 3/18/1940 | See Source »

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