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Word: creeft (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Most exotic: Isamu Noguchi's Radio Nurse, a grilled bakelite face-prettier as a radio than as a nurse. Most graceful: a brightly colored terra cotta mother and child by Waylande Gregory. Most arresting: José de Creeft's familiar strong and peaceful Head in Belgian granite. Most horrendous: a lifesize, lifeless woman by Alexander Archipenko. Her name...

Author: /time Magazine | Title: Art: Whitney Annual | 2/6/1939 | See Source »

...around with their chisels and took final, finicking chips. Despite some absurdities and a monotonous tendency among neo-archaic stone sculptors to leave their forms looking only partly chewed, able and varied work was on hand from Sculptors William Zorach, Warren Wheelock, Harold Cash, Herbert Ferber, José de Creeft, Chaim Gross, Maurice Glickman, Hy Freilicher, Berta Margoulies, Concetta Scaravaglione...

Author: /time Magazine | Title: Art: Sculpture in Manhattan | 4/25/1938 | See Source »

Three sculptors included in the Cleveland show, Zorach, Heinz Warneke and John Flannagan, got a more varied display of their work in Manhattan's Passedoit Gallery, sharing honors with Spaniard Jose de Creeft, whose Semitic Head was the most impressive single piece on display. Done in beaten lead, this dark maiden was also highest priced ($4,000) in the exhibit...

Author: /time Magazine | Title: Art: Carvers & Casters | 12/13/1937 | See Source »

...only fair to get a showing in almost any dealer's private gallery. Of last week's 862 exhibits, almost without exception the only ones that had the slightest artistic merit were those contributed by President John Sloan. Abraham Walkowitz. A. S. Baylinson, Jose de Creeft and other veterans of the Independents' early days. whose sense of loyalty still compels them to send annual contributions...

Author: /time Magazine | Title: Art: Independents | 4/15/1935 | See Source »

...woman with a raven for hair, cherries for lips, shells for ears, a lily for a hand, a swan's neck. A crucifixion scene by one Samuel Hershey included newshawks, a microphone, a vendor of hot dogs and miniature crucifixes, a few indolent policemen. Independent José de Creeft showed a picador made of stove pipes and scrap iron. Independent Lucienne Bloch, daughter of Composer Ernest Bloch (see p. 48). showed a panel of photographs of the destroyed Rivera-Rockefeller murals. A picture of a clock stopped at 9 o'clock referred to the execution of Sacco & Vanzetti...

Author: /time Magazine | Title: Art: Salons v. Independents | 4/23/1934 | See Source »

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