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Then, when the eminent Americans forcibly pressed Augusta National for birdies, the rolling course fitfully responded with bogeys. Unwittingly, Texans Ben Crenshaw and Tom Kite overtook them all to finish second, four shots behind Ballesteros. "Play the course," the winner had counseled himself, "and be cool." Asked how his second Masters victory compared with the first, Ballesteros said, "I tell you, they are both very sweet. But the first is always the best, like when you marry the first time." He is a bachelor...

Author: /time Magazine | Title: Sport: Lights Out | 4/25/1983 | See Source »

Lyrically, Crenshaw draws often from the "Boy meets girl" school. Simple, it's true, but effective. Yet, irony is also abundant, as evidenced by "Cynical Girl...

Author: By Antony J. Blinken, | Title: Marshall Arts | 9/25/1982 | See Source »

...cuts on Marshall Crenshaw are positively eerie. "Soldier of Love" might very well be a track the Fab Four couldn't find room for on Beatles '65. "The Usual Thing" sounds strikingly like the Everly Brothers. But Crenshaw has done more than just successfully emulate his illustrious forebears. Rather, he is their logical successor, the latest link in an exquisite chain that began with Holly, hooked around Liverpool, latched onto California and then began to rust...

Author: By Antony J. Blinken, | Title: Marshall Arts | 9/25/1982 | See Source »

...what may become the ultimate footnote to rock history, it is worth nothing that Crenshaw got his start by playing the part of John Lennon in Beatlemania. Clearly, singing "Help," "Strawberry Fields" and "Lucy in the Sky with Diamonds" night after night rubbed off. And if you listen carefully enough, there are moments when Crenshaw brings the Walrus back to life...

Author: By Antony J. Blinken, | Title: Marshall Arts | 9/25/1982 | See Source »

...course, a solitary album constitutes little on which to build a legend. Quite possibly, Crenshaw will be just another of rock's firecrackers, sparkling brilliantly for a few seconds and then disappearing forever. But his album bears too much promise, indeed too much immediate confirmation, to dismiss Crenshaw as a flash...

Author: By Antony J. Blinken, | Title: Marshall Arts | 9/25/1982 | See Source »

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