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Word: crescendo (lookup in dictionary) (lookup stats)
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...than the Hollander's simile about the New England domestic problem. The scene, said one British delegate, was like Haydn's Farewell Symphony (in which the musicians leave the orchestra pit one by one until only two violins and the conductor are left). "The speeches started in crescendo. Then people began slipping away one by one. At the end there was no one left and nothing...

Author: /time Magazine | Title: UNITED NATIONS: What About the Baby? | 1/10/1949 | See Source »

What Herman didn't bring with him from Army was the 1948 Yale schedule. Even as far back as last spring, there started the steady chorus of means from the Y.A.A. minions which has risen to a crescendo over the past few Saturdays...

Author: By Donald Carswell, | Title: Herman Hickman: Big Bright Bulldog | 11/20/1948 | See Source »

...brutal blast of brass. Under it, whispers stirred in the orchestra, disjointed motifs fluttered from strings to woodwinds, like secret, anxious conversations. The survivor began his tale, in the tense half-spoken, half-sung style called Sprechstimme. The harmonies grew more cruelly dissonant. The chorus swelled to one terrible crescendo. Then, in less than ten minutes from the first blast, it was all over. While his audience was still thinking it over, Conductor Kurt Frederick played it through again, to give it another chance. This time, the audience seemed to understand it better, and applause thundered in the auditorium...

Author: /time Magazine | Title: Music: Destiny & Digestion | 11/15/1948 | See Source »

...television eye followed the music smoothly as it proceeded from section to section of the orchestra. It caught some remarkably candid glimpses of the maestro that concertgoers never see: Toscanini's glittering eyes, flashing eloquent messages to his musicians; his triumphant roar in the midst of a Wagnerian crescendo; the beads of sweat, glistening on his brow...

Author: /time Magazine | Title: Radio: Notes of Triumph | 3/29/1948 | See Source »

...contrasts between the men's and women's voices. It has none of the precise word-coloring technique of the Handel work but creates an impressionistic mood ranging from a style resembling Renaissance Church music to modern syncopation. Its close, a complicated fugue which is resolved into a unison crescendo, was somewhat disappointing. The earlier black and white differentiation between the righteous and the wicked was lost in the final phrase, "the mountain of the Lord...

Author: NO WRITER ATTRIBUTED | Title: Glee Club and Radcliffe Choral | 3/24/1948 | See Source »

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