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Word: crescendoe (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...jealousy on everyone around, even defying the oracle of Delphi. Of Shakespeare's three great studies of jealousy--Leontes, Othello, and Ford--this is the most realistic. Leontes is a neurotic with high blood pressure and fits of paranoia. Whereas Othello's jealousy builds up in a steady crescendo, Leontes' bursts out in white heat at the outset and, feeding on itself, stays at the same level...

Author: By Caldwell Titcomb, | Title: The Winter's Tale | 7/24/1958 | See Source »

...country out of the frontier with the strength of their hands adjust to the business suit and all the other impersonal appurtenances of a white collar middle class world. The leitmotif of loss of contact with the land resounds again and again until it crashes out in the final crescendo climax of the play. On one level Arthur Miller's play is one of violent social criticism if perhaps to call its roots Marxist would not be going...

Author: NO WRITER ATTRIBUTED | Title: Death of a Salesman | 7/10/1958 | See Source »

...thick or unimaginative, needs an orchestra for many reasons, as the substitution of an organ, as in Sunday's performance, made painfully clear. The instrumental effects, such as pizzicato, used as a foil to the voices; the tonal texture of different groups of instruments; and the all-pervading crescendo and diminuendo which is so essential--all these are impossible for an organist...

Author: By Paul A. Buttenwieser, | Title: Brahms' Requiem | 5/6/1958 | See Source »

...efforts of the organist, James Armstrong, to surmount these difficulties while playing an extremely difficult part, were in some cases, notably the tremendous crescendo in "Behold, all flesh," very successful. However, his choice of stops was not always happy, particularly in the use of reeds in quieter sections. But the main defects were entirely beyond his control: the sense of release which is so integral to the form of the work is impossible except as indicated in the original scoring...

Author: By Paul A. Buttenwieser, | Title: Brahms' Requiem | 5/6/1958 | See Source »

Good stagy stuff, and more to come. When the girl finally gets a tryout for a walk-on as a French peasant ("He's playing cards in the bar"), she flunks it spectacularly by scuffing onstage like a marked-down Magnani and declaring in a studied crescendo: "He is at the estaminet playing [pause] BEZIQUE!" And when a young playwright takes her to an opening-night party, she gets drunk, embarrasses him and bores everybody else by climbing on the nearest eminence to recite "0 Romeo, Romeo! wherefore art thou Romeo?" But suddenly nobody is bored. She is reading...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 7, 1958 | 4/7/1958 | See Source »

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