Word: crescendos
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...ubiquitous harmonica. It is the most exciting part of the show. Dylan, his halo of curly hair limned by the iridescent hues of the stage lights, is greeted by thunderous cheers. After four or five of his early ballads, he is again joined by the Band for a crescendo of electrified folk-rock songs studded with powerful guitar riffs. From then on, the shouting seldom stops...
...into "Hound Dog" to boost both the audience and the band to a trembling plateau of anticipation for the show's climax. And then, with a final burst of energy, a sweating and breathless Sha erupts into "Great Balls of Fire" for an intense and frenzied culmination of the crescendo...
...final crescendo of middle-class rebellion that toppled the socialist government of Salvador Allende was led by Chilean truck owners, whose month-long strike against Popular Unity caused the shortages which helped cripple the government. Most of the truck-owners were not giant monopolists, but small businessmen, owners of one or a few trucks who were honestly fearful that Popular Unity planned to expropriate their property. They acted from fear, a fear that their world was about to be shattered. They could have acted no other way. And yet they helped overthrow a government dedicated to greater freedom and justice...
...best, Private Parts is a smooth parody of hellhouse horror melodramas, with an unsparing musical score by Hugo Friedhofer that furnishes a crescendo every five bars. The cast, however-except for Lucille Benson, who is gruff and quite good-seems to consist mostly of rejects from Central Casting, and the villain (John Ventan-tonio) looks like someone who spends most of his time in the balcony of all-night movies...
...starts at the movies. The furor over violence in movies reached its crescendo with A Clockwork Orange, but it started with Peckinpah's Wild Bunch, and no discussion of cinematic fascism is complete without Straw Dogs. At the beginning of the year came the realization, by Pauline Kael and others, that the movies had begun to pipe fascism into the mind of Joe Moviegoer. That the primitive, unquestionably macho preachings of Peckinpah and Kubrick, as well as the less subtle portrayal of Dirty Harry Kellerman by Don Siegel, depicted a cultural regression...