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...beat him, it would certainly increase Nixon's 1964 presidential chances. But a loss to Brown would surely be the end of the Nixon road: Is the gain worth the big risk? Some Nixon advisers work on another thesis: come 1964, Kennedy may be riding a high crest of popularity. Nixon is still young. If 1964 looks unpromising for a Republican candidate, let Nelson Rockefeller or Arizona's Senator Barry Goldwater run and lose. Then 1968 would be Nixon...

Author: /time Magazine | Title: REPUBLICANS: Nixon's Future | 12/12/1960 | See Source »

...Frigid Fluid Co. of Chicago advertises: "NEW! NEW! NEW! Lanol-Tex Arterial Fluid . . . Nature's Own Way to Soft Skin Texture," which "restores the same condition to the skin as during life." Boasts the Gold Crest Chemical Corp. of Wilmington, Del.: "Everybody is talking about Rubin-X Jaundice Dual Injection Fluids," which give "a gentle and fast-bleaching action with no spotting." If not satisfactory, "you may return to us for full credit after embalming your first case...

Author: /time Magazine | Title: Religion: The Death Industry | 11/14/1960 | See Source »

...Aided by 70% load factors on its new jets, which now carry 56% of United's passengers, United Air Lines made a steep climb; President William A. ("Pat") Patterson announced record third-quarter earnings of $1.97 per share, up from $1.74 a year ago. Ford, riding the compact crest, announced an extra quarterly dividend...

Author: /time Magazine | Title: STATE OF BUSINESS: Reading the Clues | 10/24/1960 | See Source »

...Some are glorified by their faults; others are damned by their virtues," wrote La Rochefoucauld. And The Cousins, an Adult Fable which rolled in from France a while back on the crest of the "new wave," sighs that, though very sad, this is a fact of life...

Author: By Frederick H. Gardner, | Title: The Cousins | 10/3/1960 | See Source »

...cinema has replaced the church, and people seek truth at the movies instead of at the Mass," says French Director Marcel Camus, whose sweeping ideas sometimes run a little too fast for the projector. Camus (no kin to the late writer-philosopher) reached the upper crest of the French cinema's New Wave with his Black Orpheus, a rambling but intensely poetic movie he produced by hiring amateur actors and coaxing action out of them against wild festival backgrounds in Rio de Janeiro. The formula worked so well that last fall Camus returned to Brazil, hired two professional actors...

Author: /time Magazine | Title: MOVIES ABROAD: Orpheus Distending | 9/19/1960 | See Source »

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