Word: cretans
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Before long the moonlight is glinting off Peck's jaw as he leads a crew of ruffians up an unclimbable rock face in a pelting rain. Suddenly he slips. In best White Tower tradition, the man who grabs Peck's wrist is his blood enemy, a dour Cretan guerrilla (Anthony Quinn) who has sworn to kill him when the war is over. Quinn's eyes flash. Will he let Peck fall? Not, the viewer may be sure, while there are still old war movies left to anthologize...
...most fascinating chapters of ancient history tells about the fabled island of Crete, whose rulers were thalassocrats (lords of the sea) and whose beautiful, bare-breasted priestesses romped in arenas with sacred bulls. Most history books state that the Cretan sea-kingdom, whose capital was Knossos, brought Egyptian and Asian civilization to the then-savage shores of Greece. This theory was largely the work of Oxford Professor Sir Arthur Evans, who excavated Knossos in 1900-05. Sir Arthur died in 1941 at the age of 90, a revered figure in archaeology, but last week he was the center...
...Palmer delved into the daybook, soon found an item that raised his academic hackles. According to Sir Arthur, the great palace at Knossos was destroyed about 1400 B.C. After that date it was occupied and partially rebuilt by "squatters" from the mainland, whose culture was far below the true Cretan level. The theory depended on Sir Arthur's claim that he found jars of squatter type in a room whose clay floor covered tablets written in Cretan script. This proved, he said, that early, literate Cretans had been superseded by comparatively crude invaders from mainland Greece. But according...
...total of 50 undergraduate offerings, seems hardly a fair ratio considering the importance of this period. Avid Egyptophiles can learn about the art of Karnak and Tutankamon's tomb next year in Fine Arts 131, but they cannot discover the history of the various dynasties. Students of Minoan or Cretan developments have only Professor Hanfmann's course in Aegean archaeology--next year--without a corresponding History course...
...pictures and symbols from one culture to fit the religious bias of another. He cites the familiar myth of Europa and the bull as an example of this process: the Greeks developed the patriarchal Zeus cult at the expense of the once sovereign "Moon-goddess" by interpreting a Cretan icon of the "Goddess dominating the Minos Bull by riding on its back, as though Zeus, in bull disguise, were carrying off the maiden Europa to ravish her at his leisure...