Word: crewcutted
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...class war of teenagers, the leather-jacket set long affected ducktail haircuts with lush sideburns, and early-to-bed, high school athlete types favored the crewcut or its level-roofed extreme, the flattop. Inevitably, such a division in the ranks, visible even to parents, had to go. The suave slobs in jackets-leaderless since Guitar-Whanger Elvis Presley played a command performance in an Army barbershop last March-began to let a little more of their hair be cut off. Their short-haired opposites took second looks at the fraternity boys home for Thanksgiving and Christmas vacations. Compromise result clearly...
...middle-aged hero (Robert Shafer) is that most pitiable of men, a Washington Senators fan. An offhand mention that he would sell his soul for a long-ball hitter brings on Ray Walston, a crewcut, button-down Screwtape always willing to oblige. With a flick of the wrist, Walston turns paunchy Rooter Shafer into spring-legged, muscular Tab Hunter. Despite the fact that Actor Hunter holds a bat as if it were a canoe paddle, he hits .524 and steals 976 bases as the Senators roar in pursuit of the Yankees...
Shall I tell you of the other ones? The squat little man with the crewcut who sold his soul and pen to an Elsie's wall mural for three blue punch cards. Or the intense young man with thinning hair and a changing voice who reads Wallace Stevens to a saxophone solo. Or the boy from the Bronx who writes Spanish poetry...
...manifests and only for a brief time. To apprehend the Platonic essence, then, of the utter antithesis to the approved club type, imagine an inarticulate, introverted, morbidly shy sophomore from a small town in the provinces. He wears outlandish ties, dirty sweaters, and baggy pants. Not only lacking a crewcut, he is in bad need of a barber nearly all the time and obviously shaves but rarely. Until he arrived at the university he was educated in mediocre public schools, the whole of life to him lies in doddling with mathematics, and his idea of kicks is playing the violin...
...Connecticut General executives fanned out over the country, picked S.O.M.'s Gordon Bunshaft and William S. Brown, the team that had designed Manhattan's medal-winning Lever House (TIME, April 28, 1952) and Manufacturers Trust Co.'s Fifth Avenue branch (TIME,' Aug. 31, 1953). In crewcut, hard-driving Gordon Bunshaft, 48, the insurance company rapidly discovered it was dealing with a stubborn, topflight designer, with a no-nonsense approach. Architect Bunshaft, who keeps one eye cocked on Corbusier's concern with related forms, the other on Mies van der Rohe's precise, modular construction...