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...temper it. He calls Edmund Wilson's plain, sometimes blunt style "democratic, in the sense that this distinguished man will not for long allow one phrase to be better than another." Evelyn Waugh is similarly pardoned: "To object to his snobbery is as futile as objecting to cricket, for every summer the damn game comes round again whether you like...

Author: /time Magazine | Title: Books: Occasions | 5/5/1980 | See Source »

...rather looked as though the Raj had returned to In'ja. Once more the Union Jack fluttered over Delhi's posh Roshanara Club, while pukka sahib types bowled on the cricket pitch. The bar of the Calcutta Light Horse, a regiment founded a century ago, was pink gin-deep in British officers. Some of them, though, looked film-familiar: Gregory Peck, David Niven, Roger Moore and Trevor Howard. The pseudo sahibs were shooting The Sea Wolves, about a daring 1943 attack on a German communications ship anchored off Goa. How did it feel to re-create the days...

Author: /time Magazine | Title: People, Feb. 18, 1980 | 2/18/1980 | See Source »

...National Theater, Kenneth Peacock Tynan knows what keeps readers and audiences in their seats. He did, after all, conceive and produce Oh! Calcutta! Tynan can be glib, self-serving, tricky and loosely digressionary. But he is never dull. At 52, the graying provocateur describes himself as "a cricket-loving radical" and misses few opportunities to tease the bourgeoisie about the joys of the flesh...

Author: /time Magazine | Title: Books: Lost and Found in the Stars | 1/21/1980 | See Source »

...judgment of Stoppard in the book's foreword: "A uniquely inventive playwright who has more than once been within hailing distance of greatness." The piece itself is an adulatory delight, especially a scene in which Stoppard emerges as a game-saving hero of Harold Pinter's cricket team after Pinter and his lover, Lady Antonia Fraser, retire to a nearby pub to avoid a confrontation with Pinter's wife...

Author: /time Magazine | Title: Books: Lost and Found in the Stars | 1/21/1980 | See Source »

...story which Crossley (Alan Bates) tells a young companion as they watch a cricket match being played on the grounds of the institution, is one of the primitive past, unseen forces, Aborigine magic and mysterious powers. The story unwittingly involves an electronic musician named Anthony (John Hurt), his wife Rachel (Sussanah York) and Crossley, the mysterious visitor who descends upon them. In the opening scene of Crossley's narrative, we see Anthony making highly-amplified recordings of marbles rolling in tin pans, insects, and various animals being brushed. We see Rachel preparing dinner in their picturesque kitchen on some tiny...

Author: By Thomas Hines, | Title: Screaming Bloody Murder | 1/14/1980 | See Source »

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