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William Howard Russell, one of the first war correspondents, wrote of the British hauteur in the Crimea: "Am I to tell these things or hold my tongue?" He asked the question of the trade. Today one normally expects that journalists will not hold their tongues, perhaps because Russell and others did not, or perhaps because it is common now to regard war as inglorious, even purposeless. In a sense, journalists always have been the enemies of war. From a tactical viewpoint, one almost might say it lies in the interests of the participants to kill them off, since inevitably they...

Author: /time Magazine | Title: Essay: When Journalists Die in War | 7/4/1983 | See Source »

SALT was the most difficult issue at the 1974 summit. It had become a whipping boy in a deeper struggle over the entire nature of U.S.-Soviet relations and even over Nixon's fitness to govern. Even so, after meetings near Yalta in the Crimea, where Brezhnev had taken our whole party for a few days, it was decided that I would not accompany Nixon on a visit to Minsk but would return to Moscow to see whether progress could be made...

Author: /time Magazine | Title: THE DETENTE DILEMMA | 3/15/1982 | See Source »

...leaders issued a communique agreeing that the Polish situation is "very complex and difficult." But one sign of some Kremlin tolerance was a decision to defer Poland's debt payments to the Soviets. It may have helped that Kania had not waited for his summons to the Crimea to adopt a hard line at home. Addressing the first session of the newly elected Central Committee in Warsaw early last week, he grimly warned: "We must find a way to make Polish streets peaceful again or the logic of events could lead to the greatest national tragedy." Speaker after speaker...

Author: /time Magazine | Title: Poland: Score One for Kania | 8/24/1981 | See Source »

...ways. They include the equivalents of snapshots and salon portraits, multiple exposures to analyze the flight of pigeons and the strides of men, romanticized landscapes and still lifes clearly derived from painting, as well as reportage on everything from war to travel and exploration, from Mont Blanc to the Crimea to the Nile. A photographic task force was even commissioned by the French government to rove the country photographing historic monuments (rather like Roy Stryker's famous teams in the U.S. during the 1930s Depression). One of the finest results is a highly abstract portrait...

Author: /time Magazine | Title: Photography: The Sense of a Magic New Gift | 2/16/1981 | See Source »

...what was the largest empire in modern history. Obolensky has charted the course from St. Petersburg and Moscow, across the Volga, the Urals and Siberia to the empire's frontier on the Pacific Ocean. The photographs then take the viewer back through Central Asia, the Caucasus and the Crimea to Russia's western borderlands at the Carpathian Mountains and the Baltic Sea. This approach permits Obolensky to include some of the exotic peoples and tribes that, like the Russians who colonized them, have long since lost much of their cultural distinctiveness. Another kind of excursion was plotted...

Author: /time Magazine | Title: Books: Russia Under the Volcano | 1/7/1980 | See Source »

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