Word: crimed
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Dates: during 2000-2009
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...both sides of the barricades. Opponents of the settlement include silver-maned folk singer Arlo Guthrie and former Deputy Assistant Attorney General John Yoo, author of the so-called torture memos for President George W. Bush. The settlement counts The Joy Luck Club author Amy Tan and noir crime novelist Elmore Leonard among its supporters. The deal has many other supporters as well, from disability rights groups to Dr. Seuss Enterprises and the National Grange...
...when they learn that someone is attempting to frame them for the grisly murder of a well-loved Boston priest, and the boys seize this opportunity to set sail for their former city, avenge the innocent priest’s death, and unleash a second onslaught on the Yakavetta crime family...
...first film left off with the brothers, Connor (Sean Patrick Flanery) and Murphy MacManus (Norman Reedus), aided by their fresh-from-prison father (Billy Connolly), and a slick, sharp-tongued FBI agent, Paul Smecker (Willem Dafoe), killing off the head of the Yakavetta crime family in a courtroom. Though they lost their buddy Roc (David Della Rocca), a bumbling, Mafia delivery boy, in the process, they seemed well on their way to completing their mission of eliminating Boston’s “scum”: mobsters, pimps, drug dealers, in short, anyone who offends their sense of right...
...morally conflicted FBI Special Agent Paul Smecker (Willem Dafoe) is his protegé Eunice Bloom (Julie Benz), a sassy southerner who stalks the city in Christian Louboutin stilettos and keeps her gun in a leather holster draped about her svelte waistline. Sharing her mentor’s clairvoyant crime detection abilities, she manages to simultaneously anger and entice her male coworkers while conjuring up nearly flawless crime scene assessments, recreating Dafoe’s investigative astral projection scenes from the first “Boondock Saints.” Benz—notable for her role in the 2008 remake...
...rabid fan base of “The Boondock Saints” was certainly instrumental in securing the funds necessary to churn out the second installment of Duffy’s crime narrative, and he has acknowledged that the audience’s rabid anticipation and high expectations exerted considerable influence over the making of “All Saints Day.” “There was fear on set. It was almost palpable,” Duffy said, describing the filmmaking process. “Nobody wanted to be the guy that screwed...