Word: crisolini
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Dates: during 1980-1989
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...subject. The title role, superbly sung by Van Dam, must surely be the longest individual part in the operatic literature. The saint appears in seven of the eight tableaux and does much, if not most, of the singing in each. At the composer's request, Giuseppe Crisolini-Malatesta based the sets and costumes on paintings by Fra Angelico, Giotto and Matthias Grünewald. As staged by Sandro Sequi, scenes are played in small, diorama-like boxes to emphasize the work's distant, legendary quality. The only serious dramatic defect is the sixth scene, the sermon...
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