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This play is likely to alter its coloration depending on who plays the two parts. Barbara Baxley's Emily is crisp, managerial as well as motherly and yet touchingly vulnerable. George Grizzard's Ralph is Little Boy Blue, destined never to grow up yet always capable of a last-ditch courage bordering on the heroic. It is the most compassionate portrayal of a man that Grizzard has yet achieved...

Author: /time Magazine | Title: The Theater: Love in Ruins | 12/12/1977 | See Source »

...Mere Christianity (1952), the work of straightforward evangelism that snatched White House Felon Charles Colson out of Screwtape's dominion. This highly original statement of wholly unoriginal doctrine was first f prepared as a series of talks "on the BBC. Lewis, whose |s prose comes clad in the crisp white linen of logic, starts from mankind's inherent sense of right and wrong. Think about this, Lewis says: men feel wet when they fall into water; fish do not. If men feel "wet"-alien-in a world where evil abounds, he reasons, an unseen kingdom of Tightness must...

Author: /time Magazine | Title: Religion: C.S. Lewis Goes Marching On | 12/5/1977 | See Source »

...Friars opened the scoring after a 0-0 first period at 8:49 of the second. With B.U.'s Bob Boileau off for hooking, the crisp passing of the Providence power play resulted in the tally, as center Tom Bauer tipped home Bruce Garbar's slapshot from the right point to make...

Author: By Bill Scheft, | Title: B.U. Tops Providence, 5-2 With Strong Third Period | 11/28/1977 | See Source »

...Harvard power-play, with all its cardiac caroms and ooh-aah near misses, look inspiringly crisp for an opening game. Although only one man-up tally was managed by the Crimson, you can't help but get the feeling that the Harvard power-play will be more goal-hungry and much nastier than the dyslexia we were treated to at times last year...

Author: By Bill Scheft, | Title: The Woodsman Choppeth | 11/16/1977 | See Source »

Among those who get just a piece of a piece of a piece of the show, Arnold Soboloff is wry-crisp in the role of a gay com poser and Barry Nelson never throws away a line, even the scrimpiest, that he hasn't impeccably polished. But the play goers are paying to see Liza, and at a rec ord Broadway top price of $25. Someone is gambling mightily that their love will not prove fickle...

Author: /time Magazine | Title: The Theater: X Factor | 11/14/1977 | See Source »

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