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...just about everyone who has been there will testify that it's one exciting place. The combination of the Green Monster with the dynamic character of the park makes every game seem like a steamcooker threatening to explode each time it hisses. With every pitcher's delivery, with every crisp crack of the bat, a rally threatens. Indeed, the park's history is dotted with outbreaks of the improbable...

Author: By John Donley, | Title: Fenway Park: The mystique lives on in Boston's Back Bay | 10/8/1976 | See Source »

...reading A Welfare Mother is an excruciatingly frustrating experience. The typical reader might mutter back at the author, "But what did she say?" The text is an ambling description that lacks any clues to the humanity behind the name Carmen Santana. It is written as a newspaper article, in crisp, clear, objective, unemotional prose, and from start to finish the journalistic facade never cracks...

Author: By Nicole Seligman, | Title: A Footnote to Welfare | 10/4/1976 | See Source »

...back and forth and was somewhat sloppy. Ho hum, Crimson goalie Fred Herold had made three or four great saves, but that was to be expected of the talented junior. Chris Saunders was moving the ball well behind the Harvard forward line, but few solid scoring chances developed. The crisp passing game Ford would like to see from his players had, for the most part, turned a bit soggy...

Author: By John Donley, | Title: Crimson Booters Tame Lions, 2-1; Nelson Sparks Rusty Harvard Offense | 9/20/1976 | See Source »

...Capriccio and Intermezzo. They were staged for the lustrous Swedish Soprano Elisabeth Soderstrom under Administrator Moran Caplat's dictum of "hiring people we know and exploiting them at what they want to do." To succeed retiring Musical Director John Pritchard, Glyndebourne is bringing in Conductor Bernard Haitink. His crisp baton imparts a discipline to this year's production of Pelleas et Melisande that discloses unexpected shadings in Debussy's diaphanous music...

Author: /time Magazine | Title: Music: Opera in the Countryside | 6/28/1976 | See Source »

What pleases the Western audiences, apart from the crisp gags, is the smug conviction that California has captured the great Neil Simon and thus is one up on New York. But it is not quite that simple. Simon has not succumbed to California; he has just borrowed it. He asks: "How can I be a turncoat when everything about me-all the baggage I've accumulated since my birth-is pure New York?" In Manhattan, Simon lived in a comfortable East Side townhouse. Now he has a massive electronic gate blocking the entrance to the ten-room house, gardens...

Author: /time Magazine | Title: PLAYWRIGHTS: California Simonized | 6/14/1976 | See Source »

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