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...Stone's Weekly is crammed with devices of simultaneity simply because there are so many dimensions to the journalist's style and achievement. But the force of personality in Jerry Bruck's crisp, clear documentary is very simple: Stone is a kind of fanatic, a crazyman--squinting out at the world from behind thick glasses, he is dogged in his commitment to investigative reporting. In Washington, where lying is the local dialect, Stone has to be eccentric, avoiding the cocktail circuit and the large, compromised publications, working like mad to interpret volumes of rhetoric. He's a unique and admirable...

Author: By Emily Fisher and Richard Turner, S | Title: Thank You Richard Nixon: Ten Movies | 1/24/1974 | See Source »

Besides being chairman of the big May Department Stores Co., Stanley J Goodman, 63, is a crisp tennis player, a wine connoisseur and a good enough "living-room" violinist to have played with Isaac Stern and the St. Louis Symphony. To all these talents, Goodman added another last week. Addressing the annual convention of the National Retail Merchants Association, he proved to be a candid critic of something he knows well and loves deeply - American business...

Author: /time Magazine | Title: Business: Retailer's Hard Words | 1/21/1974 | See Source »

...time. Boucher painted pleasure as though it were a perpetual state, coquetry without end, threatened by neither satiety nor boredom. The elements that constitute his afternoon kingdom take on a preternatural luxury as objects; the sky, swarming with clouds of putti and looping swags of fabric, itself acquires the crisp sheen of taffeta or Chinese silk, dyed, rinsed and gleaming; landscape and woods undulate in a feathery quiver, surprised in the act of love...

Author: /time Magazine | Title: Art: Pink Is for Girls | 1/7/1974 | See Source »

...published in the U.S., Ten Years is a crisp, contemptuous and sometimes sardonic record of Russia's intellectual life in the decade since Nikita Khrushchev's temporary thaw allowed Alexander Solzhenitsyn to publish his novel about life in a Stalinist work camp. At first Khrushchev praised One Day, but in March 1963 he told a meeting of party leaders and intellectuals: "Take my word for it, this is a very dangerous theme. It's a kind of stew that will attract flies like a carcass; all sorts of bourgeois scum from abroad will come crawling all over...

Author: /time Magazine | Title: Books: Underground Notes | 1/7/1974 | See Source »

...majority of the crowd was unfamiliar with the work as a whole (requests for Tommy were shut off with a brusque, "Where've ya been?"), and that hurt the performance some. Certain things were revealed: Townshend is a conservative guitarist--underneath the windmilling is a man who plays crisp licks and lines and is a master of transitions. He alternates finger-picking, chording and single notes with intelligence and grace, particularly in "I'm One," and the opening of "5:15." He plays with power, though. Live versions of "Bell Boy" and "The Punk Meets the Godfather" were exercises...

Author: By Freddy Boyd, | Title: Quadrophenia: Townshend Redux | 12/13/1973 | See Source »

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