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...most consistently good music-making of the performance was the singing provided by the Glee Club and the Choral Society. Their entrances were crisp, their diction clear (including every umlaut), and their pitch perfect. Their dramatic "Barabbam" at the turning point of the drama was frightening, although Mr. Munch spoiled part of its effect by having the organist hold the chord for ten seconds--perhaps the longest quarter note in history...

Author: By Walter L. Goldfrank, | Title: St. Matthew Passion | 3/27/1959 | See Source »

Ferras' legato passages spun out in long, honeyed strands of sound; his attack in the cadenza was as crisp as vellum. Throughout, he displayed a sweeping, rhythmic flair, a fluent, coolly lustrous tone. His Brahms had about it a quality of molded passion that far older artists might envy...

Author: /time Magazine | Title: Music: French Fiddler | 3/23/1959 | See Source »

Every goal but one was scored when the teams were at full strength, and on a carefully set up play, not a defensive mistake. Play was rugged--vicious during the initial two periods--and the passing and play making was accurate and crisp, except for a slight let-down on the varsity's part during the final stanza...

Author: By John R. Adler, | Title: Terriers Edge Sextet In Third Period, 3-2; Marquis Scores Two | 3/3/1959 | See Source »

...Identity's previous double page panoramas, probably because it is printed in large, easily readable type, and doesn't have to look like a spruce tree unless you really want it to. The poetry is competent, a description of a winter scene with assorted animals, and the images are crisp and economically executed...

Author: By Peter E. Quint, | Title: Identity | 2/20/1959 | See Source »

...France's Marcel Ayme, 56, literary art is the science of the impossible. Characters in Across Paris, a collection of twelve remarkable short stories, walk through walls, don seven-league boots, and play chess with stuffed owls. If the meanings are not always crisp and clear, the prose is. In his stories as in his novels (The Barkeep of Blemont, The Second Face) Author Ayme follows one rule: put all of life's ironies in the creative fire...

Author: /time Magazine | Title: Books: Pain, Joy & Wonder | 2/2/1959 | See Source »

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