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...lucky with both script and direction. The former is by Helen Childress, 23, who not only has a good ear for the sound of her contemporaries but also knows how to shape it into dialogue that is pointed and full of unforced observations. Director Ben Stiller keeps things crisp, no small matter in a movie that features a fair amount of aimless activity and just plain lying around. The latter takes place in the "maxipad" Lelaina shares with Vickie (Janeane Garofalo), who sometimes imagines her own funeral as a scene from Melrose Place ("chokers and halter tops"), Sammy (Steve Zahn...

Author: /time Magazine | Title: The Young and the Restive | 2/21/1994 | See Source »

...between the characters was especially explosive, and came off particularly well in the duet between Upton and David Collins (Dr. Falke) in Act I. Here Collins persuades Upton, with the utmost of alacrity, to attend prince Orlofsky's party. Collins enchants the audience, as well as Upton, with his crisp, charismatic antics atop the living room furniture. Collins maintains his devilish role of orchestrating his plot of revenge on Upton through the many twists and turns of the production, and the audience enjoys sharing his secret through...

Author: By Edith Replogle, | Title: Die Fledermaus, Batty and Entertaining Fun | 2/17/1994 | See Source »

...Oval Office. "You could spend a day in there, and some do." Chief of staff Mack McLarty admits that he once had to ask the President to stand up, move away from a group crowded around his desk and into another chair so he could have a "nice, crisp, 10-minute meeting" on schedule...

Author: /time Magazine | Title: The State of BILL CLINTON | 2/7/1994 | See Source »

...roll music--went hand in hand with a pure belief in the do-it-yourself, amateur ethic. The ethic showed up in their economic: the original Raincoats LP was one of the first full-length releases on the cooperative Rough Trade label. It showed up in the record's crisp production, in which each movement of fingers along the electric-guitar finger-board, and each breath Gina Birch takes, can be heard. And it showed up in the lack of "technical skill" which informs each musical move: it's normal to say that the Raincoats discovered their style in part...

Author: By Steve L. Burt, | Title: ONE CHORD WONDERS | 2/3/1994 | See Source »

Maybe it's the fact that the pair are working in the frozen north -- the film is set in a small Minnesota town -- that ensures that the comedy is fairly crisp. Or maybe it's that the script by Mark Steven Johnson and the direction by Donald Petrie (both young shavers) keep sentiment within reasonable bonds. Or maybe, God love them, it's that the filmmakers allow one of their leads to be something more than a dreamer, sexually speaking. It helps too that the object of his successful affections is Ann-Margret, all peaches and cream, playing a free...

Author: /time Magazine | Title: Codgers, Shticky and Sticky | 1/10/1994 | See Source »

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