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...Stephen Crist, piano, performs pieces of Chopin, Bach and Beethoven. Dunster House Library...

Author: By Judy Kogan, | Title: Music | 2/19/1976 | See Source »

...real estate and to own the tallest office building in the capital city of San José, along with various restaurants, a coffee plantation and interests in newspapers and radio-TV stations. He is known to have sunk more than $2 million into a holding company called San Cristóbal S.A., a chief interest of Former President José ("Pepe") Figueres, a popular figure who is Vesco's leading backer in Costa Rica...

Author: /time Magazine | Title: PERSONALITY: Learning to Love Exile | 2/9/1976 | See Source »

...entitled to an opinion, however wrong), but the customary godlike attitude that the Crimson takes toward its readers. Are we really intended to take Jeff Flanders' command to "throw away all the reviews you've seen of it" (Flanders is better equipped to evaluate a film than Reed, Crist, Canby, Kael, et al) seriously, or is it another example of the Crimson's weird, self-serving sense of humor? Are Handel, Bach and Schubert "second-rate music"? Why the duplication of reviews rather than the "dissenting minority opinion" column so thoughtfully given to political issues...

Author: NO WRITER ATTRIBUTED | Title: DISCRIMINATING READERS | 1/20/1976 | See Source »

...great" or "one of the most important documents of our time" or something like that. You can get into trouble that way. But even if there were a levied quota of movies which one could froth happily at the mouth about (punishment for exceeding quota: a month at Judith Crist's movie camp with continuous showings of At Long Last Love) M. would be a picture to stand by. Fritz Lang's direction turns the cinema into images which fuse with one's own societal paranoia. There are a whole list of things which you may never do again after...

Author: NO WRITER ATTRIBUTED | Title: THE SCREEN | 5/1/1975 | See Source »

Heurtebise's presence is often quite a relief in this production, as it manages to counteract the strained sense of tragedy Steven Crist insists on projecting through Orpheus. Regardless of the situation. Crist speaks in the same strident, anguished voice, which, predictably, soon grows monotonous. The play needs some contrast to the gentility of Heurtebise and the coy good nature of Eurydice, but Orpheus fails to provide that balance--harshly disrupting the triangle of their relationship, instead...

Author: By Anemona Hartocollis, | Title: Don't Look Back | 3/20/1975 | See Source »

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