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Thus the Café Cristal crowd at The Diplomat in Hollywood, Fla., received a refreshing surprise last week when a new singer named Lana Cantrell announced kiddingly, "I wrote all the music, and I made the dress myself." The same club is in for the same sort of happy jolt this week when another new comer, Marilyn Maye, breezes in and limits the tributes to her piano-accompanist husband, Sammy Tucker. "Stand up, honey," she usually says, "and let them see your fat little body." Their asides aside, Lana and Marilyn are old-fashioned do-it-yourself singers with...

Author: /time Magazine | Title: Singers: Two for the Show | 3/3/1967 | See Source »

...exposed on color film that is practically fluorescent, the movie was produced on location in a $1,500,000 replica of the Alamo and the village around it, employs 1,500 horses and seven instantly recognizable human beings (Wayne, Richard Widmark, Laurence Harvey, Richard Boone, Frankie Avalon, Linda Cristal, Chill Wills). Released as a reserved-seat feature ($1.50-$3.50), it is said to have cost $12 million. Predicts one shrewd old Hollywood range rider, Director John (Stagecoach) Ford: "It will run forever...

Author: /time Magazine | Title: Cinema: New Picture, Nov. 7, 1960 | 11/7/1960 | See Source »

...Hecht-Hill-Lancaster's Cry Tough, a rough and rumble film about Puerto Ricans in New York, includes a scene in a bedroom occupied by Actor John Saxon and Actress Linda Cristal. In the U.S. she appears in a slip, but the version shot for export confines her wardrobe to one small pair of black panties, and allows the camera to meander athletically where it will. 'Everybody was kind of nervous" about Cry Tough's potential box office, explained one behind-the-scenes executive, so they asked for Actress Cristal's cooperation in order...

Author: /time Magazine | Title: HOLLYWOOD: Sexports | 9/19/1960 | See Source »

Miguel Antonio Enrique Francisco Estrada (John Saxon), a first-generation Puerto Rican-New Yorker, is just out of stir and determined to go straight; he is a solid, workmanlike thug, though, and the old gang wants him back. They tempt him with a sex moll (Linda Cristal), "just up from Puerto Rico and full of sugar cane." Will he have one lump or two? He hesitates-then takes the whole bowl...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 28, 1959 | 9/28/1959 | See Source »

...others enjoy themselves thinking about it. The scheme naturally produces Cliché No. 3, a shamelessly corporeal corporal (Tony Curtis), who wins the raffle and is shipped off to spend three weeks in Cliché No. 4, Paris, with Cliché No. 5, a South American screen queen (Linda Cristal). But all at once the gravy train is stopped by Cliché No. 6: a service-nervous Nelly of a P.R. officer (King Donovan). The officer gets scared that the corporal, faced with an objective as tempting as the screen queen, will volunteer for Cliché No. 7, an action...

Author: /time Magazine | Title: Cinema: The New Pictures, Feb. 9, 1959 | 2/9/1959 | See Source »

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