Word: criticalness
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Should there be a moratorium on Holocaust movies? Stuart Klawans, the film critic of the Nation, says so in the Jewish magazine Nextbook (but not, oddly, in the Nation), and Ella Taylor tentatively endorses the suggestion this week in the Village Voice. Since these are two of the movies' most thoughtful commentators - who each happen to be Jewish - the proposal deserves consideration...
...flag spat underlines the anxiety surrounding the Czech presidency. Many of Europe's leaders question how Prague can helm the E.U. over the next six months when the Czech president is so unenthusiastic about the group. Klaus has been an outspoken critic of the E.U. for years and says the Czech presidency is an insignificant event. He regularly criticizes major E.U. policies, has refused to sign the Lisbon Treaty and dismisses E.U. climate-change legislation as a "silly luxury" that will exacerbate the international financial crisis. A 67-year-old economist who helped build the Czechs' postcommunist democracy, Klaus likens...
...frequent critic of Blagojevich despite co-chairing the governor's 2006 re-election campaign, Madigan made his position clear early in the case, which broke Dec. 9: "During these six days [since Blagojevich's arrest] Governor Blagojevich has declined to voluntarily leave the office of governor. Quite frequently, I have stood in opposition to Governor Blagojevich, many times alone. However, my record of opposition to the governor and the governor's policies and programs will not stand in the way" of a fair hearing...
When Mel Gussow, the New York Times theater critic who was Pinter's most assiduous American promoter, asked the author, "Do your plays have more to do with your life than we know?", he replied, "They have more to do with my life than I know." In other words, an artist, no matter his aim, is always writing his autobiography. He could also have said that each production of a play creates its own unique meaning. When Old Times had its premiere in London, with Colin Blakeley, Vivien Merchant and Dorothy Tutin as the threesome, it seemed the story...
...what of the filmmaker who didn't try to stick out so much as fit in; the man-for-hire who could saddle up to any studio assignment - even a work in progress - and mold it to perfection? In Victor Fleming: An American Movie Master, Baltimore Sun film critic Michael Sragow argues that Fleming - who directed The Wizard of Oz and Gone With the Wind - was such a man, denied his rightful place in the cinematic pantheon...