Word: criticism
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Dates: during 1930-1939
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Last week three hitherto steadfast Communists jumped from the train with what dignity they could. Frail, bespectacled Granville Hicks, a free-lance critic, writer (I Like America, John Reed-The Making of a Revolutionary), whose appointment to a Harvard fellowship raised a great stir in 1938, resigned not because he disapproved of the Russo-German Pact, but because bigwig Reds approved it before they could possibly know anything about it. ''The leaders of the Communist Party," wrote Mr. Hicks in the weekly New Republic, "have tried to appear omniscient, and they have succeeded in being ridiculous. They have...
Last week, its Abingdon season over, the Barter Theatre paid its third annual visit to Manhattan. In chain-store-fed Manhattan there were nine cash customers to one barterer. But the box office accepted a gallon of wine, tubes of toothpaste, some rayon underwear, size 36 and from Drama Critic John Anderson "a jugful of the milk of human kindness neatly skimmed." All these swelled a trifle the season's profits: $95, five barrels of jelly...
Mark Van Doren* has done this job and maybe more. His qualifications would be hard to better. As a critic, Van Doren began his career in 1916 with a study of Thoreau, followed by an acute book on Dryden in 1920. An instructor at Columbia, he collaborated with his brother Carl on a textbook in 1925 (American & British Literature Since 1890). A poet of steadily finer weave and frosty skill, he published his Collected Poems this year. From 1935 to 1938 he studied cinema as The Nation's movie critic. And for the last ten years he has taught...
...literary world will be represented in Cambridge this year by Robert Frost dean of the American poets, and John Mason Brown, drama critic...
...none of the Treasury of American Prints was new, most were standard favorites: few of Critic Craven's prints were misprints. Big-shot artists such as Benton, Curry, Sloan and Wood were allotted five or six pages apiece, others from one to three. There were prints to suit everybody. People who itch and fidget when confronted with the self-conscious strainings of Thomas Benton's I Got a Girl on Sourwood Mountain could turn a page to his Lonesome Road. For people who consider John Steuart Curry's darkly violent lithograph Line Storm "theatrical," Critic Craven supplied...