Word: criticism
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Dates: during 1960-1969
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Norman Jewison is Hollywood's most current rising young director, having tackled in his last two movies the problems of international and interracial coexistence, having packed them in with each, and having still more recently won the endorsement of Bosley Crowther, the critic's critic. The Jewison success story is in part a triumph of personal public relations, because back when he was boasting such dubious credits as Send Me No flowers and The Cincinnati Kid, Jewison was already giving interviews in which he posed as an emerging auter...
Fragrance at Sea. Snaith calls industrial designers "the 20th century's Renaissance men," and his own interests certainly fit that label. He is author, decorator, designer, consumer analyst, critic, raconteur, painter, gourmet cook and popular after-dinner speaker. His canvases have won respectful reviews in four Manhattan exhibits. His first book, a diatribe about trends in art and architecture called The Irresponsible Arts, drew mostly critical barbs, but Across the Western Ocean fared better. It consists mostly of the log of two trips in his 47-ft. yawl, Figaro III. In the book, Skipper Snaith, one of the world...
Gold in Sea Water. In addition to poetry (four volumes), Jarrell was probably the best poet-critic since T.S. Eliot, as his critical volume, Poetry and the Age, attests. He rejected what Poet Shapiro calls "Eliot's High Church voice" in favor of "plain American, which dogs and cats can read." He demanded plain speech and uttered it. Thus his heroes were homespun Wordsworth, unfashionable Kipling, Thomas Hardy, William Carlos Williams, Robert Frost and, of course, the greatest American poet to speak for the common man-Walt Whitman...
...bureau, he was dubbed "Blouson Noir" ("Black Jack et," or "the tough one") by irritated fashion designers, who even crossed to the other side of the street when they saw him coming. As a trade-publication reporter, the supposedly genteel Fairchild had turned out to be an acerbic, outspoken critic of fashions. If Paris designers were relieved when he left in 1960 to become editor of Women's Wear, it was the New York fashion world's turn to be surprised. As New York Times Fashion Writer Marylin Bender put it: "He shook up his dominions, unnerved...
...essays are generally impressive. While Critic Richard Oilman deftly shoots down MacBird!, Historian Theodore Roszak wades into "The Complacencies of the Academy: 1967" with a spirited attack on today's professors for abnegating their traditional responsibility as philosophes. Instead of serving as the community's moral conscience, Roszak charges, most academics now function as multiversity service-station attendants, filling up students with credits and subjects, fretting about nothing more profound than their own tenure and sabbaticals...