Word: criticism
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Dates: during 1980-1989
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...CRITIC from a Washington newspaper once wrote, after hearing one of Mia's performances, that she showed "sensitivity, intellect, and a sense of the divine...
There's more truth in that than the critic himself may have realized. For Mia, her faith in God is what drives her career. "I play to glorify God," she says, and she believes that her talent is a gift from God to be used to serve Him. In a place as widely agnostic and cynical as Harvard, Mia's candid, sincere faith seems unusual and even refreshing...
Boston Herald theater critic ArthurFriedman has placed shows starring Moore and Ronisand ones directed by Ronis in his "10 Best Playsof Boston" lists for the past two years. TheBoston Globe and the Phoenix havesingled Moore and Ronis out as student talent towatch in the future. Moore, since his junior yeara virtual A.R.T. company member, in last springreceived the Jonathan Levy Award, given by theOffice for the Arts to Harvard's outstandingactor, and last month won the Louis Sudler Prizeas the oustanding artist in the senior class...
...result, Wuthering Heights: A PopMyth, opened on the Loeb Mainstage earlierthis spring to popular, if not critical, success.But Keshishian was graded solely for his script,the actual adaptation, not for the production orits success. So his grade was not determined bythe box office take, nor by the number of kindwords New York Times drama critic FrankRich '71 might have had for the show...
...decades, a transformation of the commercial landscape more swift and radical than any other in U.S. history. Strung out along main drags in every city, fast-food franchises become the strip, identically chaotic collages of glowing signs and prefab construction. The helter-skelter of the strip is the urban critic's most convenient cliche --cheap-jack American laissez-faire run amuck...