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When The Women by Clare Boothe Luce opened on Broadway in 1936, Brooks Atkinson, the New York Times critic, snarled that it contained "some of the most odious harpies ever collected in one play." It nevertheless became a huge hit, despite the fact that there has never been any reason to question his judgment - not when the 1939 movie version came along, and certainly not now as we cringingly confront writer-director Diane English's completely miscalculated remake...

Author: /time Magazine | Title: The Women: Sex Crime | 9/11/2008 | See Source »

Senator Charles E. Grassley—a leading critic of low spending from colleges and university endowments—proposed stricter disclosure requirements in federal tax filings for schools on Monday, suggesting a willingness to stop short of threatened legislation on the issue. “I would like to ask [federal agencies] to develop a Form 990 schedule for colleges and universities,” Grassley said in reference to the form required for tax-exempt and non-profit organizations. He added that he wanted a specialized form to require information about “student populations or costs...

Author: By Clifford M. Marks and Nathan C. Strauss, CRIMSON STAFF WRITERSS | Title: Senator Grassley Tones Down Threats on Endowment Spending | 9/9/2008 | See Source »

...Halcro, a critic of Palin since she got into office, first broke the story of Palin's alleged abuse of power in trying to get her ex-brother-in-law fired as a state trooper. He's also written extensively about Palin's stance on the Bridge to Nowhere and a massive natural gas pipeline project...

Author: /time Magazine | Title: Alaska's Bloggers on Sarah Palin | 9/9/2008 | See Source »

...masterpieces of risk-taking and exuberance, eluding easy categorization. That's fitting for a man who remains the only performer to win Grammy Awards in three different styles: pop, R&B and jazz. "He works the cracks between all of those genres," says San Francisco Chronicle pop-music critic Joel Selvin. But most critics agree that Jarreau's roots, ultimately, lie in jazz. "What makes him unique is the jazz current - with its inherent sense of swing and improvisational magic - that courses through everything he does, whether it's pop, R&B or whatever," says Los Angeles Times critic...

Author: /time Magazine | Title: The Active Voice | 9/4/2008 | See Source »

...after a 1974 Los Angeles show, when he opened for the legendary Les McCann, that he scored a record contract, and in 1975 he released his debut album, We Got By, featuring his trademark genre-bending style. An unsuspecting world was also introduced to a voice that one critic likened to "a full orchestra in his throat...

Author: /time Magazine | Title: The Active Voice | 9/4/2008 | See Source »

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