Word: criticize
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Dates: during 1960-1969
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...back issues, he pasted up a collage -a poster designed to advertise TIME'S traveling art show of original cover portraits. But TIME'S editors were not quite satisfied with the result of his assault on other artists' visions of various personalities. "My God," said one critic, "he ripped Senator Javits right in half...
...Light in the Forest; of a heart attack; in Pottsville, Pa. With a sure ear for its speech and a shrewd eye for its manners, Richter brought early America to life. The cowboys, Indians and farmers of his novels are more than fictional characters; they are, as one critic noted, explorers who give the "truest picture of the everyday realities of frontier life...
...almost longingly that "we have lost all sense of ritual and ceremony-whether it be connected with Christmas, birthdays or funerals-but the words remain with us and old impulses stir in the marrow." Brook's deepest illumination about a holy theater comes from the French actor and critic Antonin Artaud, who conceived of the theater of cruelty as searingly holy, "working like the plague, by intoxication, by infection, by analogy, by magic; a theater in which the play, the event itself, stands in place of a text...
There is oleaginous Alexander Woollcott, larding it over Broadway in the person of Jock Livingston-without any sense of what made Woollcott the most powerful critic of his time. There is Noel Coward, every precious diphthong faultlessly mimicked by Daniel Massey -with only the barest dash of the saline wit that has kept him quoted for almost 50 years. And there is Gertrude Lawrence, played by Julie Andrews. Visually, Julie has vanished into the part. The pert little nose has been thickened, the hairline lowered, the eyebrows thinned, the mouth made severe and straight. It is only the emotional makeup...
Only last evening one of the Negro critics of the course, having earlier informed me that he was not among that segment of the course's critics who simply reject a white scholar teaching "black history," unwittingly contradicted himself. This occurred during a panel discussion between the novelist Ralph Ellison and Alvin Poussaint, a Negro phychiatrist, at Brandeis University. Dr. Poussaint argued the ridiculious line I attacked in my letter in Tuesday's Crimson, namely, that no white scholar could or should teach a so-called black curriculum, and the Social Sciences 5 critic with me at the panel turned...