Word: criticize
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Dates: during 1990-1999
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Pasolini's violent murder in a Roman slum immortalized the artist. One critic referred to him as "St. Pier Paolo: Homosexual and Martyr," and most considered his final film, the bizarre and disturbing "Salo," strangely prophetic. It represents the enigmatic end of a tumultuous artistic career and, as Pasolini's 1959 novel proclaimed in its title, A Violent Life. "Mamma Roma" is far more typical than his last film, of the mix of politics and poetry, of ideology and of sentiment, which characterizes most of Pasolini's work. Its magnificent cinematography and superb acting make it a pleasure...
...outspoken critic of what he perceived as rampant grade inflation, Cole found himself quoted in national publications after an article he wrote helped ignite campus debate on the issue...
...cordon thrown around the building." His sly art is an anti-striptease: he reveals only edges and crinkles of himself in the pith of an essay or dramatic monologue. "Bennett has become a major figure in the English landscape despite versatility and his steadfast wish to remain hidden," writes critic David Thomson in A Biographical Dictionary of Film. "He may be Britain's best and most stubborn surviving miniaturist...
...folks with time on their hands) and conservative (preferring a no-risk, pbs-style format). They are also frequently accused of cronyism. The co-producer of one of the new nominees, Maya Lin, is Freida Lee Mock, the committee's chairwoman. Though Mock stepped off the panel this year, critic Roger Ebert sees the nomination as "logrolling. It's something you expect in pie-baking contests at the county fair." Many past nominated films have been made by committee members or have been distributed by Direct Cinema, a company run by committee sachem Mitchell Block. He insists the decision process...
...extraordinary new study, "Mozart: A Life" (HarperCollins; 640 pages; $35), Maynard Solomon does more to humanize the composer than any biographer before him. For two centuries, TIME critic Michael Walsh says, listeners have been unable to reconcile Mozart's ineffable music with his bawdy childishness: "The easiest and most common method has been to regard Mozart as a sort of child god whose works welled up spontaneously." But Solomon's sharply-written, layered chapters document the grown composer's own psychological caving-in to the legend of his prodigious childhood. Says Walsh: "Mozart and the members of his circle come...