Word: criticize
(lookup in dictionary)
(lookup stats)
Dates: during 2000-2009
Sort By: most recent first
(reverse)
...while it was hard to find a movie for which Jarre didn't contribute the score. He put his name to more than 50 films in the '60s, another 36 in the '70s, 46 in the '80s. He told one sympathetic critic, Jon Burlingame of Variety, that he took on so many assignments because he had a bunch of ex-wives (three) and owed them all alimony. The first of these marriages begat a son, Jean-Michel, who made his own name as a composer of electronic music and producer of gargantuan sound-and-light shows, one of which drew...
Lilly makes a simple pitch for the women's pitch. "It's not going to make or break you, and it's probably cheaper than going to have coffee with someone," she says. "Be a critic after you've come see a game, don't make a judgment beforehand. If you attend a game, you'll see people working their asses off." No doubt these classy pros will take their shots. But is hard work enough to score big in the face of a brutal downturn...
...since the Bwana Devil days has the industry made such a concerted push for 3-D as a standard movie-watching process. The big question remains: Can the format overcome its carny tincture and become as universally accepted as wide-screen has? The eternal kid in this critic thinks that'd be pretty darn cool; but the Luddite in me has his doubts. Here are three reasons for informed skepticism...
...decline of the networks is of course a bad thing. For the networks. But for me as a critic and you as a viewer, the important question is, Are there better shows on TV or not? The answer is - and has been for years - yes. More important, the answer is yes for precisely the same reasons that the big broadcast networks are fading. (There's also more bad TV on the air because there's more of everything. Unless it bothers you that other people are watching bad TV, this is also not your problem...
...perks of being a theater critic, in those dog days of the season when you find yourself struggling to sit through the latest Chekhov revival or pretentious little comedy about tightly wound New York singles, is the Broadway-musical revival. Yes, you can complain - as I often have - about unimaginative commercial producers who keep recycling surefire classics like Gypsy or Guys and Dolls. But there's good reason they're recycled so often: they are surefire - unfailingly entertaining, no matter how uninspired the production, the indomitable high points of a genre that is America's great contribution to world theater...