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...This is a city with millions of people," says Arina Borodina, a television critic with the independent-minded Kommersant newspaper in Moscow. "Can you imagine an attack during rush hour in New York or Paris, and a television channel doesn't show anything for two hours...

Author: /time Magazine | Title: Why the Bombings Weren't Breaking News in Russia | 3/31/2010 | See Source »

...Anna Kachkayeva, a professor at Moscow State University and television critic with Radio Free Europe/Radio Liberty, says the reluctance of the networks to broadcast breaking coverage of Monday's attacks was only partially due to the pressure they feel to produce reporting acceptable to the Kremlin. She says the art of live coverage has also disappeared in the past 10 years as news broadcasts have become more and more scripted. "There just aren't very many people around anymore who can do live television," Kachkayeva says...

Author: /time Magazine | Title: Why the Bombings Weren't Breaking News in Russia | 3/31/2010 | See Source »

...went to art school and met a brilliant young art critic, Craig Owens—one of the chief formulators of post-modernism in the arts... I heard about the Whitney Museum’s independent study program... and he encouraged me to apply. So I dropped out of art school and started at the Whitney program at 18. I did that for one and a half years. Toward the end of my stay there, I published my first article, which was about Louise Lawler. The following summer, I did my first museum tour...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Spotlight: Andrea Fraser | 3/30/2010 | See Source »

...himself is a family guy. He's domestic. He has some kids that he's adopted. I guess he has a real kid somewhere. He has a house and works in the garden, that kind of stuff. That's not a hardboiled character. (See TIME's weekend critic picks...

Author: /time Magazine | Title: Mystery Writer Walter Mosley | 3/25/2010 | See Source »

...just commercial fare but also the supposedly more adventurous work off-Broadway - is that they are too simple: the characters too familiar, the stories too formulaic, the messages too spoon-fed. Donald Margulies' new Broadway offering, Time Stands Still, to take a typical example, won warm praise from most critics, but I found its alternately jokey and sanctimonious portrayal of a photojournalist and her war-correspondent boyfriend one giant media-friendly cliché. And I had to laugh at New York Times critic Ben Brantley's praise of Next Fall, Geoffrey Nauffts' new comedy-drama about a gay couple...

Author: /time Magazine | Title: The Best New Play of the Year | 3/18/2010 | See Source »

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