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Word: criticizers (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

With thoroughness and grace, Hugo Vickers, a British critic and journalist, traces the answer back to Beaton's obscure beginnings and follows it to a precipitous summit. Cecil was the grandson of a blacksmith and the son of a timber broker. There was nothing to be done about ancestry, but the future was another matter. Young Cecil confided to his diary, "Even in my dreams I long to make Mummie a society lady and not a housewife...

Author: /time Magazine | Title: Books: Homemade Cecil Beaton | 7/14/1986 | See Source »

Because the acting and the directing are suprisingly good, Under the Cherry Moon manages to get away with not featuring Prince's music. It's still a fun, thoughtful film and a must-see for Prince enthusiasts. But don't take a critic's word for it. See Under the Cherry Moon for yourself...

Author: By Christopher J. Farley, | Title: A Sweet Cherry Moon | 7/11/1986 | See Source »

Many of the faculty are New-York based and Fanger, a noted dance historian and critic who writes for the Boston Herald, says she makes several trips to New York each year to help her cull her 17-member faculty. Lucinda Childs, head of the Lucinda Childs Dance Company, David Gordon, head of the Pick Up Company and Remy Charlip are among this year's noted teachers...

Author: By Shari Rudavsky, | Title: Dancin' Six Weeks Away | 7/8/1986 | See Source »

...essay. "Masscult is bad in a new way," he wrote, because "it doesn't even have the theoretical possibility of being good." A pernicious "Gresham's law" was inevitable: good art would be driven out by the bad -- by pop. Another ferocious holdout is William Gass, a very intelligent critic whose opaque, self-conscious novels are the sort of fiction that drives literate people toward Judith Krantz. "This muck cripples consciousness," he proclaimed of pop in 1968. "Therefore no concessions should be made to it." Sorry. Concessions were made. "By the late 1960s," writes Princeton Scholar Louis Menand, "popular culture...

Author: /time Magazine | Title: Pop Goes the Culture | 6/16/1986 | See Source »

...Critic Greil Marcus finds himself defending even dumb pop. "If a Swedish director wanted to make a Rambo," says Marcus, "it wouldn't be very convincing. Only Americans are arrogant, vulgar and moronic enough to make a fantasy like that credible. But I'll put our vulgar moronism versus their refined elitism any day. I'm not saying Chuck Berry is better than Flaubert. But I also don't want to live in a world where there's only one or the other...

Author: /time Magazine | Title: Pop Goes the Culture | 6/16/1986 | See Source »

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