Word: criticizes
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Dates: during 2000-2009
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...announcement posted early Monday morning on his website, film critic Roger Ebert said he is taking his thumbs and walking away from the TV show he helped build into an international brand. "After 33 years on the air, 23 of them with Disney, the studio has decided to take the program in a new direction," he wrote. "I will no longer be associated with it." Ebert's announcement arrived only hours after co-host Richard Roeper, of the Chicago Sun-Times - his on-air companion since 1999 - announced that he too would be leaving At the Movies with Ebert & Roeper...
Books about how to read fiction are a thriving business. This summer also brings us Thomas C. Foster on How to Read Novels Like a Professor (Harper; 304 pages) and John Mullan on How Novels Work (Oxford; 346 pages), though Wood, as a book critic for the New Yorker, is the heavyweight of the field. These books fall into the curious netherworld of extra-academic literary theory. They are the last, depleted descendants of what used to be called aesthetics, the branch of philosophy that theorized the human response to works of art. For most intents and purposes, aesthetics collapsed...
...Social critic Barbara Ehrenreich has written about living as a low-wage worker (Nickel and Dimed) and looking for a white-collar job (Bait and Switch). She spoke recently with TIME's Jeremy Caplan about her new book, This Land is Your Land: Reports from a Divided Nation, a collection of emotionally charged essays...
...July 1992 announce that he was choosing Al Gore for an all-youth ticket. Four years later, Dole infused his campaign with testosterone by drafting Hall of Fame quarterback Jack Kemp for his team. In early August of 2000, Gore distanced himself from the incumbent by pairing with Clinton critic Joseph Lieberman...
...authenticity before exclusively allowing the German weekly Die Zeit to make the findings public. Indeed, it has subsequently come to light that a long version of the film was first sent to Buenos Aires back in 1928 at the request of the Terra film distribution company. A film critic named Manuel Peña Rodríguez obtained the reels, selling them in the 1960s to Argentina's national art fund. A copy was passed to the Buenos Aires museum in 1992, but its value was not realized until...